• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/11

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

11 Cards in this Set

  • Front
  • Back

Artist- unknown



Title- Buxheim St. Christopher



Date- 1423



Medium- hand-colored woodcut



Significance- this woodcut is an example of popular art of the 15th century. For the first time in history almost anyone could own a picture like this one, not just aristocrats.

Artist- Giotto



Title- Lamentation



Date- 1305



Medium- Fresco



Significance- Giotto's fresco cycle introduced a revolutionary style of naturalism with more realistic figures and more realistic emotions.

Artist- Nicola Pisano



Title- Pulpit for the Baptistery of Pisa



Date- 1259-1260



Medium- Marble



Significance- The pulpit contains the first sculpted reliefs of its kind and is a work that is considered to mark the beginning of an entirely new phase within the history of art.

Artist- Claus Sluter



Title- The Well Of Moses from the Carthusian Monastery of Champmol



Date- 1395-1406



Medium- painted and gilded limestone



Significance- This juxtaposition reveals Sluter’s use of alternating naturalistic balances.

Artist- Robert Campin



Title- Mérode Triptych



Date- 1425-1430



Medium- oil on wood panel



Significance- the domestic setting instead of a golden background in a church is why this piece is unique. Campin placed the annunciation in a domestic, household setting.

Artist- Masaccio



Title- the holy Trinity with the Virgin, St. John, and two donors



Date- 1425



Medium-fresco



Significance- one of the best examples of the early Renaissance scientific approach to creating the convincing illusion of space within a painting. Masaccio was the first painter to include linear prospective into his paintings.

Artist- Donatello



Title- David



Date- 1420- 1460



Medium- bronze



Significance- one of the greatest sculptural works of the early Renaissance – was his bronze statue of David. This work signals the return of the nude sculpture in the round figure.

Artist- Michaelangelo



Title- Pietà



Date- 1498



Medium-marble



Significance- It is the only piece Michelangelo ever signed. ... Michelangelo's interpretation of the Pietà is unprecedented in Italian sculpture. It is an important work as it balances the Renaissance ideals of classical beauty with naturalism.

Artist- Raphael



Title- The School of Athens



Date- 1508-1511



Medium- Fresco



Significance- It was hugely influential at the time and is remembered as the perfection of artistic ideals from the time period. It represents philosophy and one point prespective was used as well.

Artist- Jacopo Da Pontormo



Title- Pietà or Descent from the cross



Date- CA. 1526-1528



Medium- oil on panel



Significance- Pontormo painted this in what would be know as mannerism. He uses contrasting colours, strange proportions, flattening of space, and an unstable perspective. There is less emphasis on a natural representation than there is on the expression of drama.

Artist- Sofonisba Anguissola



Title- Self portrait



Date- CA. 1556



Medium- oil on parchment



Significance- late Renaissance painter best known for her portraiture. She was one of the first known female artists and one of the first women artists to establish an international reputation.