• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/54

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

54 Cards in this Set

  • Front
  • Back

Composition

How elements are put together to form a piece of artwork

Stippling

Using dots to illustrate value or texture.

Hatching

Using parallel lines to illustrate value or texture.

Cross-Hatching

Using crossing lines to illustrate value or texture.

Shading

Showing change from light to dark or dark to light in a picture by darkening areas and leaving other areas of light.

Light Value

Made by light pressure from pencil.

Dark Value

Made from heavy pressure.

H pencils

Makes light value.

B pencils

Makes dark value

Color Wheel

The spectrum bent into a circle.

Hue

Another word for color,

Red, yellow, blue

Primary colors.

Secondary colors

Violet, orange, Green

Red-violet, blue-violet, blue-green, yellow-green, yellow-orange, red-orange

Tertiary Colors

Warms colors

From yellow to red-violet

Cool colors

From yellow-green to Violet

How to name color correctly

Primary color then secondary.

Contour lines

Defines the edges and surface ridges of an object. They have the ability to suggest form.



Vary in darkness and thickness



Describe edges of shapes within forms.

How to do a contour line drawing?

Continue to draw slowly



Use long, continuous, dark lines



Sustain lines as long as it makes sense to do so



Break lines when necessary



Record contours of the objects you observe.

Outline

A line that shows or creates the outer edges of a shape.

What happens when you add value to contour lines/outline?

They disappear.

Line

A segment connecting two five points. Can be used to define space, contours and outlines, or suggest mass and volume.

Shape

2D configuration. Height and width, organic or geometric.

Organic shape

Free-forms, irregular edges, represent living things.

Geometric shape

Mechanical, human made shapes with regular edges.

Form

3D configuration. Height, width, depth. (Volume)

Texture

Surface quality of artwork. Visual or tactile.

Visual texture

Can be seen but not felt

Tactile texture

Surface can be perceived through touch.

Space

Indicates areas above, between, around, below, or within something. Negative or positive.

Negative space

Background. Area surrounding objects.

Positive space.

Enclosed areas or objects. May be recognizable or non-representational

Value

The quantity of light. Lightness to darkness. White to black and all the grays in between. Shading.

Color

The quality of light.

Pass

Blank

Intensity

The degree of a color's purity, high intensity, colors are bright. Low intensity colors are dull.

Analogous

Colors which are next to each other on the color wheel.

Complimentary

Colors which are across each other on the color wheel.

Balancr

Creates stability in a composition by arranging the elements. Visual weight is affected by relative size, brightness of color, contrasts of value or texture, complexity of shape, and distance from center.

Symmetrical balance

Identical elements equally distributed on either side of the vertical axis.

Asymmetrical balance

Weight feels equally distributed without the objects of figures being identical

Radial balance

Similar elements are placed around a center point.

Movement

Way of combining elements in order to create rhythm throughout work.

Repetitive movement

Repeating the same element with little or no variation.

Alternating movement

Repeating two or more elements on an alternating basis.

Progressive movement

Repeat an object from small to large, light to dark, etc.

Contrast

The differences in elements, materials, or applications throughout a work. Variety prevents boredom.

Unity

Successfully combing the component elements in an artwork resulting in a sense of wholeness. Makes viewer aware of total work of art rather than individual parts.

Proximate unity

Placing objects close together

Similar unity

Making things similar in color, texture, shape, or form.

Continuity unity

Directing viewers vision by lines, edges of shapes, or arrangement of objects.

Dominance/emphasis

When one element appears to be more important or attracts more attention than anything else in the composition, said to have dominance.

Doodle project

Used all elements except form



Used all principals of art

Sneaker project

Used all elements except form



Used all principals.