2D Final

Front 1

Additive color

Back 1

Created using beams of light. Red, blue, green. RBG

Used by website artists, videographers and lighting designers.

Front 2

Subtractive color

Back 2

Created when white light is reflected off a pigmented or dyed surface. Primaries are blue, red and yellow.

Used by painters, printmakers and illustrators.

Pigments and dyes

Front 3

Process colors

Back 3

CMYK

Front 4

Back 4

Light is refracted/bent through prism. Red has longest wavelength. Violet has shortest.

Front 5

Color overtones

Back 5

A secondary hue bias in a primary color. Ex alizarin crimson: red w/ violet overtones

Front 6

Achromatic

Back 6

Black & white. No hue

Front 7

Bezold effect

Back 7

Influence of color interaction. The change in a single color can alter our perception of a PATTERN

Front 8

Opponent theory

Back 8

Red& blue. Cones can register only one color in a complementary pair at a time.

Front 9

Hue

Back 9

The name of a color. Red, blue, green, yellow.

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Primary

Back 10

Red, yellow, blue

Front 11

Secondary

Back 11

Green, orange, violet

Front 12

Tetriary

Back 12

Mixture of secondary color and adjacent primary color

Front 13

Back 13

Tint, tone, shade

Front 14

Monochromatic

Back 14

A single hue

Front 15

Analogous

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Adjacent colors on the wheel.

Ex: green, blue green, blue

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Complementary color

Back 16

On opposite sides of color wheel. When mixed together, can produce brown or lower intensity.

Front 17

Split complementary

Back 17

Two colors on either side of the complements.

Green, red, violet and yellow

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Triadic

Back 18

Equally spaced apart. Ex: yellow, blue, red

Front 19

Chromatic gray

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Mixture of hues and rather than just black and white.

Front 20

Color key

Back 20

A dominant color. Can heighten psychological and compositional impact.

Front 21

According to opponent theory, the physiognomy of our eyes

Back 21

Limits the ability to view more than one complementary pair of colors at a time

Front 22

A colors purity is not related to its

Back 22

Temperate

Front 23

The color combination in Georgia o Keefes jack in the pulpit no. V

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Split complimentary

Front 24

Chromatic grays are unique because

Back 24

They are formed using a mix of color rather than just b&w

Front 25

Adding white to an image creates

Back 25

Tint

Front 26

Which is NOT TRUE about color

Back 26

Color values can be manipulated in a painting but not in a photograph

Front 27

Which is true about color temp?

Back 27

All of the above statements

Front 28

Which is true of color disharmony?

Back 28

None of the answers

Front 29

Which is true about the additive color system?

Back 29

It is, used to create graphics on computer.

RGB

Front 30

Critique that focuses on the formal elements

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Objective criticism

Front 31

Can be described as the physical manifestation of an idea

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Form

Front 32

Robert Rauschenberg experimented with _______ to create 3 different versions of monogram, a work that combined 3d and 2d elements

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Compositional change

Front 33

The content of the work of art is the

Back 33

Intellectual or emotional message in the artwork

Front 34

Sculptures by claes Oldenburg and coosje van bruggen often involve

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Transformation in the medium and scale of objects

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Cause and effect critique

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All of the above

Front 36

All of the following questions are worth considering when critiquing a composition except

Back 36

Will it require an explanation from the artist

Front 37

Shared language, iconography and ____ can help to communicate and build meaning from a work of art

Back 37

Historical and cultural literacy

Front 38

Mark Schallers "some words" utilized ____ as a means of meditating on the act of thinking

Back 38

Stream of consciousness texts

Front 39

Shi Jinsongs metallic sculpture Na Zha Cradle is an example of

Back 39

A metaphorical comment on the effects of capitalism

Front 40

Tetrad

Back 40

4colors equidistant on a color wheel

Front 41

Georgia o keef jack and the pulpit

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Dominated by greens and and voilets. Split complimentary

Green, red violet and yellow.

Front 42

Hans Homann magnum opus

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Creates the illusion of space.

Creates a push and pull effect with color.

Nonobjective composition.

Red dominates.

Blue pulls inward, yellow pushes out.