The Great Gatsby: Clayton vs. Luhman Essay

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In the 1920s, sexual promiscuity was a widespread behavior in the United States. People often ditched their morals, causing a serious strain on relationships. Many modernist writers in this era believed this was a result of the popularization of cities. One modernist author, F. Scott Fitzgerald, brought this issue forward in his novel "The Great Gatsby", which was adapted into two films, one in 1974 by Jack Clayton, and another in 2013 by Baz Luhrmann. In chapter seven of the novel, two

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"'But it's so hot, ' insisted Daisy, on the verge of tears, 'and everything's so confused. Let's all go to town'" (118), cries Daisy. Daisy is worried about the upcoming confrontation between Tom, Gatsby, and herself. She isn't ready to face the consequences of her own infidelity, and by suggesting they all go to town, Daisy is trying to create a short escape from the situation. Even after Tom exposes Gatsby, Daisy is bewildered. Nick notices, "... [Gatsby] began to talk excitedly to Daisy, denying everything, defending his name against accusations that had not been made. But with every word, she was drawing further and further into herself ..." (134). Daisy can no longer deal with the stress caused by her affair with Gatsby, and his attempts to console her aren't enough to calm down the situation. Daisy's stress adds to the tension of this scene.In the 1947 version of The Great Gatsby, both acting choices and camera movements help set the tone during the scene of the argument. During this scene, Daisy carries all the emotion. While the conflict should have been mainly between Tom and Gatsby, Jack Clayton envisioned more of an internal struggle for Daisy. In the novel, Daisy, while still the source of the conflict, simply watches in horror as Tom and Gatsby argue over her affection. In this film adaptation, Daisy is the focal point of emotion. The camera follows Daisy, sometimes even zooming in on her red, tearful face, showing
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