In the beginning of the show, the lighting was warm and pink which created a comfortable, welcoming environment in juxtaposition to the later tragic elements of the show. Often, the scrim was lit blue lighting to look like the sky. This welcomed the audiences into the world of the show. Lighting was a key feature of the party scene where Romeo and Juliet meet. The lighting brightened and darkened and moved to shift focus. For example, when Tybalt spoke the lighting darkened ever so slightly. As with the sound design, the lighting design underscored specific moments. There was an ethereal blue light on Juliet’s corpse, for example. Additionally, there was a blood like red lighting when Friar Laurence discovers Romeo and Juliet’s dead bodies. The lighting designer very effectively used lighting to reflect the emotional moods of the scenes, utilizing color psychology just as the costume designer
In the beginning of the show, the lighting was warm and pink which created a comfortable, welcoming environment in juxtaposition to the later tragic elements of the show. Often, the scrim was lit blue lighting to look like the sky. This welcomed the audiences into the world of the show. Lighting was a key feature of the party scene where Romeo and Juliet meet. The lighting brightened and darkened and moved to shift focus. For example, when Tybalt spoke the lighting darkened ever so slightly. As with the sound design, the lighting design underscored specific moments. There was an ethereal blue light on Juliet’s corpse, for example. Additionally, there was a blood like red lighting when Friar Laurence discovers Romeo and Juliet’s dead bodies. The lighting designer very effectively used lighting to reflect the emotional moods of the scenes, utilizing color psychology just as the costume designer