His tremendous amount of handicaps made him stand out. In the text, the author says, “Clanking, clownish, and huge, Harrison stood - in the center of the studio. The knob of the uprooted studio door was still in his hand.” This shows how out of place Harrison was with the handicaps on and they really showed how different he was. The handicaps in a way also symbolized potential. In the text after Harrison rids himself of the handicaps he goes on to say, “‘I am the Emperor!" cried Harrison. "Do you hear? I am the Emperor! Everybody must do what I say at once!" He stamped his foot and the studio shook. "Even as I stand here" he bellowed, "crippled, hobbled, sickened - I am a greater ruler than any man who ever lived! Now watch me become what I can become!’" Harrison’s tone and diction are enthusiastic, especially shows when he says “watch me come what I can become.” This shows how much power was being contained by the
His tremendous amount of handicaps made him stand out. In the text, the author says, “Clanking, clownish, and huge, Harrison stood - in the center of the studio. The knob of the uprooted studio door was still in his hand.” This shows how out of place Harrison was with the handicaps on and they really showed how different he was. The handicaps in a way also symbolized potential. In the text after Harrison rids himself of the handicaps he goes on to say, “‘I am the Emperor!" cried Harrison. "Do you hear? I am the Emperor! Everybody must do what I say at once!" He stamped his foot and the studio shook. "Even as I stand here" he bellowed, "crippled, hobbled, sickened - I am a greater ruler than any man who ever lived! Now watch me become what I can become!’" Harrison’s tone and diction are enthusiastic, especially shows when he says “watch me come what I can become.” This shows how much power was being contained by the