Alfonso, director of the movie, is famously known for his long, uninterrupted tracking shots and “Gravity” was no different. Unlike many other science-fiction movies, “Gravity” had photo-realistic scenes, none of it was fantasy. The imagery that we see in “Gravity” is no less out of the ordinary, detailed sunsets and rotation of the earth was involved as well as great look alike NASA space objects/ships. In David Deny’s article, barely touched the visual effects only mentioning, “In this movie, the tempo goes from dreamy, drifting slowness, with Earth glowing in the darkness…... Cuarón and his team created the movie with a combination of C.G.I. and computer animation and a variety of new lighting and photography techniques…. This one produced a wild ride that may not be equaled for a long time.” Although I agree with David Deny, he did not talk much about the great cinematography in this
Alfonso, director of the movie, is famously known for his long, uninterrupted tracking shots and “Gravity” was no different. Unlike many other science-fiction movies, “Gravity” had photo-realistic scenes, none of it was fantasy. The imagery that we see in “Gravity” is no less out of the ordinary, detailed sunsets and rotation of the earth was involved as well as great look alike NASA space objects/ships. In David Deny’s article, barely touched the visual effects only mentioning, “In this movie, the tempo goes from dreamy, drifting slowness, with Earth glowing in the darkness…... Cuarón and his team created the movie with a combination of C.G.I. and computer animation and a variety of new lighting and photography techniques…. This one produced a wild ride that may not be equaled for a long time.” Although I agree with David Deny, he did not talk much about the great cinematography in this