11). This comes to show in the constant give and take between these opposing forces. The demand for queer visibility in Ghostbusters, and other Hollywood blockbusters, is a battleground of conflicting ideologies. Over the years the queer fans have managed to gain ground, one recent example being Star Trek Beyond and their inclusion of their first portrayal of a gay character in the series, Hikaru Sulu. But by granting a side character this sexual identity outside the binary does not offer much for the queer audiences, as their identities still do not get to take a prominent role in big productions. This demonstrates the constant negotiation between dominant ideology and the periphery cultures – the dominant ideology is incorporating small aspects of the opposing ideologies in order to cover more masses within its sphere while still holding the
11). This comes to show in the constant give and take between these opposing forces. The demand for queer visibility in Ghostbusters, and other Hollywood blockbusters, is a battleground of conflicting ideologies. Over the years the queer fans have managed to gain ground, one recent example being Star Trek Beyond and their inclusion of their first portrayal of a gay character in the series, Hikaru Sulu. But by granting a side character this sexual identity outside the binary does not offer much for the queer audiences, as their identities still do not get to take a prominent role in big productions. This demonstrates the constant negotiation between dominant ideology and the periphery cultures – the dominant ideology is incorporating small aspects of the opposing ideologies in order to cover more masses within its sphere while still holding the