Another key term in Smith’s essay is contemporary art. Aside from being defined as merely the art produced by artists who are living in the twenty-first century, he highlights the makeup of all contemporary art, specifically noting that placemaking, world picturing and connectivity “are present in all art that is truly contemporary” and that contemporary art follows three main trends; The first is continuing with the historical trends, the second originated from former colonies thus presenting a kind of resistance spirit and clash between ideas and lastly “the viral spread of small-scale, interactive, d-i-y art”. A third key term Smith gives a unique interpretation to is connectivity. Rather than viewing that word as a static state of being connected, Smith considers it to be “... more as an ongoing process of seeking out the lineaments of connection, catching glimpses of them, allowing them to resonate, change, and inevitably loosen, only to seek them
Another key term in Smith’s essay is contemporary art. Aside from being defined as merely the art produced by artists who are living in the twenty-first century, he highlights the makeup of all contemporary art, specifically noting that placemaking, world picturing and connectivity “are present in all art that is truly contemporary” and that contemporary art follows three main trends; The first is continuing with the historical trends, the second originated from former colonies thus presenting a kind of resistance spirit and clash between ideas and lastly “the viral spread of small-scale, interactive, d-i-y art”. A third key term Smith gives a unique interpretation to is connectivity. Rather than viewing that word as a static state of being connected, Smith considers it to be “... more as an ongoing process of seeking out the lineaments of connection, catching glimpses of them, allowing them to resonate, change, and inevitably loosen, only to seek them