There is nothing abnormal about that behavior for a man because people are allowed to perform behaviors indifferent to their specific gender. But in a world of gender expectations, after a theatrical act of S/M a man is “instantly transformed into a normal, confident, assertive man” (McClintock 1993, 97). Therefore, this adjusts social identities between two different worlds of gender constructs. S/M eliminates having a set role in a subculture, but comprises different genres of roles that make it possible for individuals to be whomever they want. They are given the power within their own gender roles to take a social risk and contradict the expectations of
There is nothing abnormal about that behavior for a man because people are allowed to perform behaviors indifferent to their specific gender. But in a world of gender expectations, after a theatrical act of S/M a man is “instantly transformed into a normal, confident, assertive man” (McClintock 1993, 97). Therefore, this adjusts social identities between two different worlds of gender constructs. S/M eliminates having a set role in a subculture, but comprises different genres of roles that make it possible for individuals to be whomever they want. They are given the power within their own gender roles to take a social risk and contradict the expectations of