This poem was created to raise money to help the families who were affected by this terrible act of violence. “Blanco spoke of heroism and the beauty of our city; the heroic acts of those willing to sacrifice themselves for others; the emotions felt at the time of the bombing and the emotions we felt then; that we'll continue to be Boston strong no matter what happens; that this tragedy didn't tear us apart, it brought us together.”We're Not going to Malta is a poem that tells a story of a man who sails by Malta in this poem he imagines what life would be like if he were to go to this beautiful island off of Italy . The poem opens with a scene that lets the readers know that the water is rough. He later went on to explain his obsession with Malta. It is a single versed poem with little no rhyme schemes but as you read the poem it naturally flows. “Yes, I’d get a Maltese cat and a Maltese dog, make Maltese friends, drink Malted milk, join the Knights of Malta, and be happy for the rest of my Maltesian life. But we’re not going to Malta.” The lines capture the speakers obsession with malta.In his poem "América," Richard Blanco brings us into the experience of Thanksgiving celebrated by an extended Cuban American …show more content…
I’ve visited six times over the last 20 years, staying with my Cuban family. On my most recent visit this June, I was pleasantly surprised by the number of licensed businesses that had opened up, nightspots and restaurants, filled with Cubans, not just tourists. Transportation had improved, including the vintage 1950s cars that now transport people, up and down Avenida Linea in Havana, for 10 pesos. What I jokingly like to call “Cuber” instead of “Uber.” “Varadero is the most beautiful beach in the world. A midnight stroll through Old Havana. There is art everywhere in Cuba. I went to Fábrica de Arte, a mix of art galleries, theater spaces, bars and craft shops. But the real beauty of Cuba is its people. Blanco's poetry, often written in prose-like style, is filled with captivating imagery that showcases his ethnic heritage and the universal feelings connected to the search for identity. Whether speaking as the Cuban Blanco or the American Richard, the homebody or the world traveler, the shy boy or the openly gay man, the engineer or the inaugural poet, Blanco’s writings possess a story-rich quality that illuminates the human spirit. His work asks those universal questions we all ask ourselves on our own journeys: Where am I from? Where do I belong? Who am I in this