No longer does Lear make harsh and misguided judgments about those around him as he did when he played the all-powerful monarch in the play’s exposition. After his pivotal question about his self when Goneril essentially forces him to leave her house, Lear has grown more self-aware and more in touch with reality. Lear even appears to have empathy for people less fortunate than himself, bemoaning the fate of the “Poor naked wretches, wheresoe’er you are, / That bide the pelting of this pitiless storm” and even saying “O, I have ta’en / Too little care of this” (3.4.28/9) (3.4.32/3). This shift towards being a caring and humble man instead of the irrational and mighty king reveals his progress towards sanity. In this storm when he empathizes with those who had been less fortunate than him he also realizes the state of his own plight, displaying self-awareness and reasonableness previously unseen in the
No longer does Lear make harsh and misguided judgments about those around him as he did when he played the all-powerful monarch in the play’s exposition. After his pivotal question about his self when Goneril essentially forces him to leave her house, Lear has grown more self-aware and more in touch with reality. Lear even appears to have empathy for people less fortunate than himself, bemoaning the fate of the “Poor naked wretches, wheresoe’er you are, / That bide the pelting of this pitiless storm” and even saying “O, I have ta’en / Too little care of this” (3.4.28/9) (3.4.32/3). This shift towards being a caring and humble man instead of the irrational and mighty king reveals his progress towards sanity. In this storm when he empathizes with those who had been less fortunate than him he also realizes the state of his own plight, displaying self-awareness and reasonableness previously unseen in the