Film Noir: The Sexualization Of Women In Film

Improved Essays
Since the rise of the twentieth century, our society has been fascinated with film. Even during times such as the Great Depression our nation has always had an urgency to spend their weekends at the drive-ins enjoying a movie or two. The woman’s role in film has drastically changed over the years, not just in their wardrobe but also in all aspects of film. As the trends change so do the social normalities. With the importance of women’s power increasing, their sexuality in film is becoming more of a popular theme. The ongoing evolution of sexualizing women in film has occurred through dress, job status, changes in maternal roles, and a plethora of aspects that have allowed women to become equivalent to their male counter parts. During World War II the need for women in the workplace was vastly increasing. Unlike before, women were working in factories instead of fulfilling their household duties such as, cooking and cleaning and taking care of the family while the husband was at work to financially stabilize his family. This brought a change in society for women across the country. Among this time the popular movie style, film noir, was on the rise. Film noir is a style of cinematic film and brought about the popular style of …show more content…
Her white, long sleeved, turtle necked gown still allows her to be a glamorous princess without showing much skin. A less conservative example would be Rebecca Romijn as Mystique in the X-Men Series. Mystique’s sex appeal immensely increases because of her lack of clothing and minimal coverage. Both of these sci-fi characters are considered to have an exuberant amount of sex appeal in the public eye yet their wardrobes are extreme opposites. These examples are not to say that one character is considered better or sexier than the other but it just goes to show the psychological change in society of the term sex

Related Documents

  • Improved Essays

    Film Noir includes dark, suspense-filled and thrilling mysteries. They are usually ambiguous, pessimistic and emphasize the isolated feel of the modern cities. The usage of low-key lighting and dark colors to create high contrast on screen is very common. Low-angle shots and Dutch camera angles, which are shot with tilted camera angles, are used to portray tension. Instead of showing a person directly, they commonly used disorientation and showed people reflected in a mirror.…

    • 357 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Classic Film Noir

    • 1005 Words
    • 5 Pages

    In film noir a lot of low key lighting is used which therefore creates effective shadows creating a sense of mystery for the audience. The lack of lighting as it is low key lighting being used, signifies and sets a dark mood for the film. In the film Chinatown the use of lighting is a great way to show the dark or bright side of the characters. An example of mise en scene would be when Evelyn Mulwray has a talk with Jake Gittes in the car outside her house. The lighting in that scene is very low and the shadows shows the dark side of Evelyn Mulwray when she is about to reveal the truth but she does not.…

    • 1005 Words
    • 5 Pages
    Improved Essays
  • Great Essays

    With her theory of the Male Gaze, it is impossible not to mention Laura Mulvey when talking about the portrayal of women in cinema. This theory suggests that certain film techniques are used to appeal to an audience based on the assumption that it consists…

    • 1981 Words
    • 8 Pages
    Great Essays
  • Decent Essays

    I. Thesis (64 words) Margaret Tally’s essay, “Something’s Gotta Give,” conveys the idea that although movies about middle-aged women finding love and exploring their sexuality are liberating, often these films relay harmful stereotypes about these same women. Usually, the woman’s sexuality takes a detrimental effect on her family. The message in films have a positive stance on sexuality in old age, yet also approaches the topic with hesitancy. II. Summary (words)…

    • 329 Words
    • 2 Pages
    Decent Essays
  • Improved Essays

    Laura Mulvey states in male controlled society “the pleasure in looking is split between the active-male and passive-female.” this is echoed in the dominant forms in film. Classic Hollywood narratives traditionally focus on a male protagonist with an assumed male viewer. Men are presented as controlling characters and treat women as docile objects of desire; this applies to both on screen and to viewers. Women are objectified in relation to the male gaze, showcasing women as an image and men as owner of what is to be viewed.…

    • 748 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    In Linda Williams’s article “Film Bodies: Gender, Genre, and Excess”, she focuses on three film genres that have a certain power to excite, yet lack of aesthetic elements. Three film genres she discusses are pornography, horror, and melodramas. The reason she concentrates on these genres is because she believes that these films provoke primitive emotions (pleasure, fear, pain), which manipulate the body at a sensational level. In these films, there is the absence of proper aesthetic distance which gives a sense of over-involvement in sensation and emotion.…

    • 329 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Briefly describe the characteristics of women's film roles in each of these periods and discuss reasons for any differences you observe. In the documentary, it stated how women’s roles in the 1920’s to 1940’s was very flexible where the same women could be the mother then turn around and be the seductress or the saint. Women’s roles and characters back in the 1920’s to 1940’s were much more easy going. In today’s films, women’s characters are seen as sexual beings who are labeled as “bitchy” when they voice their opinion or “sluts’ who will do anything for the attention for men.…

    • 988 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    Film noir, a genre of darkness, of shadows, of hardboiled loners and bottom-feeders. The term noir was coined by French film critic Nino Frank in 1946 that literally means “Black Film”. This essay will discover how film noir is affected by the context of history as well as its course of evolution to reach its state nowadays. This would collectively enhance my degree of understanding of this influential genre of filmmaking.…

    • 300 Words
    • 2 Pages
    Decent Essays
  • Superior Essays

    Femininity In Films

    • 1330 Words
    • 6 Pages

    For this paper I am going to be discussing gender in the institution of films. Specifically I am going to be discussing masculinity and femininity in coming of age films. I am going to discuss how gender is represented in coming of age films and what it means to “come of age “ in regards to both masculinity and femininity. Coming of age movies set an expectation for teens and young adults it lays out what they should fear and what they should thrive to be in order to transition to adulthood successfully. The media defines cultural and gender norms that are often very stereotypical ().…

    • 1330 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    As a product of a visual medium, The Woman’s Film delivers its message through both content and form. It interlaces interviews of women with stock footage and inserts. One of the striking examples is the montage that juxtaposes advertisements of household products with film subjects performing household chores, the main focus being women’s hands. The play on the glamorized and the real suggests society’s part in not only forming but also in embracing an unrealistic idea of a housewife’s life. This misleading perception facilitates the dismissal of a mere possibility that a woman at home may not be content with her life: how can she be unhappy – she has everything she needs at home!…

    • 1070 Words
    • 5 Pages
    Improved Essays
  • Great Essays

    It was in 1946, when the term “film noir” was coined for the first time by the French film critics Nino Frank and Jean-Pierre to describe this genre of movies (Silver & Ursini 2004). Part of what makes these…

    • 1718 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    For a brief time in the 1930s, American life was represented by Hollywood films in a way it had never been before—and in a way that for decades after, it was not. Social and political conversations flowed as freely as the alcohol served, people made ambiguous decisions, and there was no air of inhibition around sex or sexuality. This led to women being portrayed as, well, the actual human beings they were, with full and diverse lives and personalities. Women were able to control their own images and were quite independent and reveled in new freedoms the American public had not yet seen. This was cut short, unfortunately, by the introduction of the Production Code, or the Hays Code, in 1934, but for those few years in the early 1930s, American…

    • 1174 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The movies being produced had a massive influence on the changing mentality of the time particularly in women. In America alone 80 million movie tickets were sold every week, this equated to one out of two individuals attending a movie on a weekly basis. The films that were being shown in the 1920’s were different to the films shown prewar. Prewar the actresses were ladylike, innocent and requiring a man’s protection. The movies of the 1920 contained females that were independent, confident, dressing in more provocative clothing and enjoying herself equally to a male.…

    • 1275 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    Essay On Iran Woman

    • 291 Words
    • 2 Pages

    In the present day, however, the new generation of Iranian women is discussing the ideas and concept of femininity, sexuality, and modernity in Iran’s society through cinema. Which has recently represented an extraordinary portrayal of Iranian women on the screen. Therefore, this highlights the gender consciousness of Iranian women who are breaking the restrictions of gender segregation and inequality that were imposed on them. My research, therefore, will provide an insight into the social and sexual changes of Iranian women’s life through verity of films and analyzes of the representation of these changes in Iranian post-revolutionary…

    • 291 Words
    • 2 Pages
    Improved Essays
  • Great Essays

    The article, ‘Film Bodies: Gender, Genre & Excess’1 by Linda Williams explores whether the forms of sex, violence and emotion found in the genres of pornography, horror, and melodrama (specifically the woman’s weepie) respectively, are as gratuitous as my film scholars and critics believe them to be. Setting out to disprove this idea, Williams’ investigates and compares the form, function, and system of the three genres. Ultimately, William’s central claims reveal the value in the supposed excess of these three genres that benefit a spectator in a variety of ways. Seeking to argue her idea, Williams’ firstly uncovers why elements of these genres are regularly deemed as excessive. This is presented with the contrast of Classic Hollywood and…

    • 1465 Words
    • 6 Pages
    Great Essays