Film Analysis: Where Do Lilacs Come From

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The unique context of an individual is what defines their process of discovery and in so doing, shapes their perspectives on interpersonal relationships, personal identity and existential outlook. These ideas are exemplified in both Robert Gray’s poems, Diptych and The Meatworks, and Matthew Thorne’s short film, Where Do Lilacs Come From. We see in these texts that discovery can only take place when our context challenges us, whether it is a change in context or the confronting nature of situational context itself. Only then can transformation occur.

The contexts in which the interpersonal relationships of an individual take place are what fuel discoveries to occur. In Gray’s Diptych, elements of the persona’s family life are embedded throughout,
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Much like Gray’s Diptych, Thorne depicts a change in context, in particular one that challenges an individual’s personal beliefs, as a fast catalyst to self-discovery. The film follows Chris, an elderly man with Alzheimer’s disease, as he struggles with the strain his condition places on his relationship with his son, Michael. This is symbolised by the reoccurring large spaces which separate the two characters in each frame, implying their emotional disconnect. A tracking shot of Chris chasing his younger self down a long, brightly lit corridor symbolises his desire to rediscover his lost memories. The responder is able to gauge from this Chris’ perspective on his condition. Senility is a burden on his identity. However, at the end of the film Michael discovers he is able to reconnect with his father by showing him home movies. The movies, displayed as hand-held camera footage with a muted colour palette evoke the same sentiment of nostalgic fondness that changed the persona’s perspective in Gray’s in Diptych. The restorative experience of bonding is shown by a return to the metaphor of distance as the space between two characters is breached and the pair embrace. Not only does this show the characters re-discovering their love for each other, but the discovery they are still able to bond is a revelation within itself, one that allows Chris to view his Alzheimer’s in a new context. He is able to challenge and transform his personal beliefs of his condition, coming to terms with his ageing as he rediscovers hope. Therefore, not only can a physical change in context shed new light on interpersonal relationships, but the way in which an individual contextualises their unique experience within their own mental framework can transform one’s very

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