Critically Looking At Art: Artemisia Gentileschi, Susanna And The Elders

Improved Essays
Critically Looking at Art
Artemisia Gentileschi, Susanna and the Elders, 1610, painting at first glance expresses thoughts that show peoples cruelty and temptation. The reason is shows cruelty is because it appears the men have some inappropriate thoughts that they want to do on the Susanna. When you first look at the panting you see the Susanna’s sad and frightened face, then you see the men looking viscously at her.
If I had to describe the painting to someone who could not see I would first start describing Susanna’s fear sadness and disgust. Then I will describe her bodily movement and stance, she is sitting down on a concrete wall. She is naked with a white rag covering her on one of her thighs’. Her head is looking away and down at

Related Documents

  • Improved Essays

    The work that I am analyzing is Bathsheba After the Bath by Jan Steen (1626-1679). I believe the meaning of the painting shows exactly what women had to endure to be presented to a man of high royalty and had no rights in the matter to reject his advances. The gloomy colors in the painting correlates with the emotion that Bathsheba expresses. Examining the painting I found interesting props surrounding Bathsheba and the maidservants. The painting tells the story of how King David sent for Bathsheba.…

    • 564 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Albrecht Durer and Artemisia Gentileschi both have a woman as the focal point of their artwork, but differ in how they portray her. While Durer's focus is on the helplessness of a woman during her abduction, Gentileschi emphasizes the strength and power of Judith in the slaying of Holofernes. Both artworks contrast on the different ways these women are illustrated. For example, while Durer conveys a message that resembles the standards of what an “ideal” woman would look like and act during the Renaissance, Gentileschi stands against these standards and portrays her female characters as real women with strength and humanity. Principles and elements of art also contribute to the contrasting depiction of the women.…

    • 154 Words
    • 1 Pages
    Improved Essays
  • Improved Essays

    With the shifting of time, new ideas began to flood Europe. As the Renaissance period began to grow out of popularity, a new style was beginning to transform the old. The baroque period, both accepted and dismissed ideas commonly seen in Renaissance works. In the new period, the sense of movement, theatrical actions, and emotions were all altered, although naturalism was still sought. Each period brought with it masters of the time.…

    • 826 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The artwork that I chose is Edgar Degas’ portrait titled “Mary Cassatt at the Louvre: The Etruscan Gallery” (1879-1880). This is a portrait made with “soft-ground etching, dry point, aquatint, and etching with dimensions of 10 9/16 X 9 1/8 in” (Degas). What makes this work a form of japonisme is the overall feel. Degas’ choice of mediums have a special effect that creates a japonisme feeling. The line quality and asymmetrical composition has a lot of characteristics of Japanese art.…

    • 562 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Artemisia Gentileschi’s, Judith Slaying Holoferne, is a great example of baroque art. At first glance of the painting, viewers are stunned by what’s going on with Judith beheading Holoferne. The extremely violent scene draws so much attention that it’s hard to look away from the dramatic painting. Gentileschi depicts are stark contrast…

    • 389 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Liberally written about, the female gaze had the power to destroy men, piercing them and turning them to stone. Yet, when painted, their eyes are averted, submissive and…

    • 1039 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Roman Goddess Pre-Modal

    • 142 Words
    • 1 Pages

    While at first glance the woman in this painting may appear beautifully rendered and well proportioned, on closer inspection, it is clear that her body is awkwardly contorted (particularly in the neck and position of her right hand), and that her dress is ensnaring her rather than folding naturally. The discomfort of this piece is indicative of Rossetti’s mental state at the time of creation, with the artist suffering from acute paranoia and depression partly caused by the suicide of his wife, Elizabeth Siddal (the model for Millais’ Ophelia). In painting the Roman goddess Proserpine, Rossetti adheres to the Pre-Raphaelite tradition of depicting the fallen woman. Equally, the painting likely references the temptation of Rossetti and Jane Morris,…

    • 142 Words
    • 1 Pages
    Improved Essays
  • Improved Essays

    When visiting the Art Institute of Chicago there was a lot of interesting works of art and artifacts being displayed. When visiting the Roman exhibits, I saw a lot of currency coins from different time periods and where the coins were discovered in the former Empire. There were different emperor’s faces that were engraved on the coins. I noticed the Romans kept their coin’s design very simple. The museum displayed many different types of items that the ancient Roman people used in their daily lives.…

    • 674 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    “Listen, my children, and you shall hear Of the midnight ride of Paul Revere...” (Longfellow par. 1). These words by Longfellow seem to spring into the mind when looking at The Midnight Ride of Paul Revere by Grant Wood. Grant Wood’s painting presents an idealized portrayal of a well-known event in American history in a time when when America had lost its luster. Upon first looking at the painting, the eye is drawn immediately to the church that stands in the foreground.…

    • 898 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    In this paper, one will describe the oil painting Madonna Enthroned. The central figure of this piece, as indicated by the title, is the enthroned Mary. Mary is grasping her son Jesus and is flanked on both sides by a number of angels. Below Mary and the angels is four elderly men, two of whom are divided by columns of the throne. Beginning with Mary, one immediately notices her halo as highlighted by numerous red, white, and darker red stylized jewels.…

    • 679 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The Last Drop Analysis

    • 646 Words
    • 3 Pages

    This painting seems to epitomize the popular baroque era Vanitas still life theme, incorporated in portraiture. Although painted in 1639, it is now hanging up in plain sight at the Philadelphia Museum of Art. It amazed me to sit there and think about the possibilities behind the motives of the painting (or the storyline behind the observing skeleton) which is why I decided to study this painting and learn more about the painter and subject from observation and research.…

    • 646 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Each component of the painting is essential in completing the visual narrative. Dominance is exhibited in the main figure of St. Clare. The full frontal stance is typical of Byzantine style art; however, what makes it dominant is the life like size of the portrait, Even though there is a lot going on in this picture, the central portrait seems to draw the attention of the viewer. Appropriate symmetry cannot be overlooked in this pictorial.…

    • 792 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The Crucified Christ (1503-04) is a classical example of Italian Renaissance art. The piece illustrates, extremely effectively the Italian desire to make everything in which they paint beautiful, not matter how horrific the subject may be. Christ in this depiction, although, dead does not appear to have progressed into rigor mortis of any degree, Christ also appears to look peace in death in the Raphael painting, unlike in the Grunewald where distress is on Christ’s face is blatant. The way in which Christ is bleeding in Raphael’s piece is depicted with a degree of beauty, the bleeding is not messy, any blood coming from Christ, is delicately dripping into chalices held by angels on either side of Christ. This is a complete contrast with that of Grunewald’s depiction of the crucifixion, where blood is freely flowing down both his arms and legs.…

    • 1334 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    The painting I chose to do an analysis on is “Kneeling Mother with a Child at Her Breast”. In the painting I see a African women with dark skin kneeling down on both knees holding her baby in her left arm with one hand behind head and the other on the buttocks. She is kneeling on a round grey mat while the baby is sucking on her nipple. She is also starring in her baby’s eyes with somewhat of a grin on her face. Both her and her baby are butt naked in this painting.…

    • 705 Words
    • 3 Pages
    Improved Essays
  • Great Essays

    In the early history of art, female artists were uncommon and denied of the same amount of credit for their talents as their male counterparts. It was a rare occurrence for female artists to paint portraits of themselves, however in the 16th and 17th century we begin to see a shift in this trend. In the Netherlands during the 16th century, Dutch artist, Judith Leyster used oil on canvas to paint a portrait of herself, titled Self-Portrait (1635). The Self-Portrait features Leyster, a young woman, looking directly at the viewer whilst painting a scene of a man playing the violin. Leyster owned an art workshop and was the only female in the Dutch Republic to sell her paintings in the market during that era.…

    • 1351 Words
    • 6 Pages
    Great Essays