It is clear that Lysistrata’s character is present to challenge tradition, in order to end a war. Lysistrata acts as an unconventional policy maker whose role in war, as a women, is unorthodox to say the least. A mother’s opposition to war is echoed by both Lysistrata and Mother Courage. Lysistrata proclaims, “We’ve given you sons, and then had to send them off to fight.” A rational appeal to her cause (Aristophanes 164). Mother Courage re-iterates the point when she says, “A soldier’s life is not for sons of mine!” However, Brecht’s use of Mother courage is different than that of Lysistrata (Brecht 28). Mother Courage being a woman is not so much as to challenge gender roles, but to highlight the hypocrisy of war profiteers: Quick to profit off war, but reluctant to send their own children. Indeed, Brecht uses Mother Courage to promote the idea that only the heartless support war, as Mother Courage’s selfishness leads to her children’s deaths. Nevertheless, both dramas demonstrate that no matter how women are viewed by society, they can influence war in a significant
It is clear that Lysistrata’s character is present to challenge tradition, in order to end a war. Lysistrata acts as an unconventional policy maker whose role in war, as a women, is unorthodox to say the least. A mother’s opposition to war is echoed by both Lysistrata and Mother Courage. Lysistrata proclaims, “We’ve given you sons, and then had to send them off to fight.” A rational appeal to her cause (Aristophanes 164). Mother Courage re-iterates the point when she says, “A soldier’s life is not for sons of mine!” However, Brecht’s use of Mother courage is different than that of Lysistrata (Brecht 28). Mother Courage being a woman is not so much as to challenge gender roles, but to highlight the hypocrisy of war profiteers: Quick to profit off war, but reluctant to send their own children. Indeed, Brecht uses Mother Courage to promote the idea that only the heartless support war, as Mother Courage’s selfishness leads to her children’s deaths. Nevertheless, both dramas demonstrate that no matter how women are viewed by society, they can influence war in a significant