Bollywood Cinem Temples Of Desire

Improved Essays
Final Essay
Any particular cinema give insight to a societies’ culture and values. According to Vijay Mishra, on Bollywood Cinema: Temples of Desire, “in which different kinds of desire—particularly patriotic desires—are evoked through the melodramatic, realistic or fantastic conventions of pleasure” (2002). He defines Bollywood as a fantasy and realistic adventure. I will analyze two Bollywood movies by tackling the issue of inequality. They are Lagaan which depicts the discrimination between the British rulers and the Indian people. Bombay Is the second film that has a conflict between the religions of Muslim and Hindu.
Firstly, Lagaan presents a heartwarming story of a struggling Indian society who come together to fight for their survival.
…show more content…
It is forbidden in Hindu religion to eat meat however. If he did not obey, Captain Russel would double the Lagaan. The leader was in a tight position because his job was to protect his people and respect his religion at the same time. There was nothing more he could have done. Even in the beginning of the film, we are introduced with a scene of Bhuvan saving a deer, which the British are trying to kill for food. Bhuvan is later given a warning the next he interferes with their plans. He follows his religion and his powerful stance is shown directly at the …show more content…
People setting examples of killing others for no justifiable reason. How are people supposed to understand all these terrifying situations? All these questions where posed in a scene that I find was the most powerful one in the film. The children were separated from their parents because of the wars. Eventually they were brought in by a shaman looking figure. The children were unable to eat when he proposed food for them. As a result, one of the child asked a question to him saying “What is a Muslim or a Hindu? The Shaman had difficulty answering them responded: “I am in no place to answer that question”. The children looked traumatized when asking that question, they couldn’t understand the concept of people murdering each other because of religion. The Shaman figure is actually a hermaphrodite. The fact that he’s quote about being the wrong person to explain the situation sends a powerful message. in that person’s religion, hermaphrodites are forbidden. In consequence, the world is filled with differences even within a same community. The world is looking to continue to build from these wars and create a better future for the next

Related Documents

  • Superior Essays

    Rear Window Dichotomy

    • 1938 Words
    • 8 Pages

    We are encouraged to read between the lines and find that underlying allegory, but we don’t want the allegory to be the body of the film, we want it to be the thesis. We watch films for the sake of entertainment, not a bias lecture. The film makers must use these deceptions in order for us to follow the argumentative position that a film takes up for the sake of…

    • 1938 Words
    • 8 Pages
    Superior Essays
  • Improved Essays

    Society Film Analysis Movies are very prevalent in discussing issues in today’s society. By using anthropology, sociology, and psychology, one is able to connect films to any issue. The films American history x, Crash, Cry Freedom, The Pianist and Pleasantville all display different social issues, such as discrimination, conformity and charismatic leaders. Discrimination is prejudicial thoughts acted out towards anyone, usually based on his or her race and ethnicity. Anthropologists can look towards structuralism and the complex rules that determine what are good and bad, in order to know how discrimination can be spreading in a society.…

    • 610 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    This paper will be a comparison and contrast of the three movies. The movies displayed social problems of Racism, Sexism, Gender and Class. The movies are The Crash (2004), Django Unchained (2012), and Dances with Wolves (1990). The movies follow the norms of the Hollywood film making and show all traits just in different settings. Crash is a noteworthy case of the crossing points of race, ethnicity, sexuality and additionally capacity.…

    • 688 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    screams out of the massive movie screen. Scenes filled with dead, decaying bodies laying on the ground, wives experiencing the heartache for their husbands to return in one piece, and fully loaded machine guns reaching their peak and plunging into the enemy. “‘Well this is intense”’, I say in my head. My eyes wandered in awe all across the screen. Suddenly I saw fragile children struggling to hold up their weapons.…

    • 2287 Words
    • 10 Pages
    Improved Essays
  • Improved Essays

    Gary D Rhodes Movie

    • 946 Words
    • 4 Pages

    The author uses his vast knowledge and research of the film industry to analyze the topic. He thinks about history in a extremely…

    • 946 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    Asghar Farhadi’s film, A Separation, focuses on the separation that occurs when the lives of two different families entwine with each other. The two families involved in this film have core differences and the conflict that occurs between them stems from gender, class, and religious issues. There is a constant battle in this film between individual family units, and when the two separate family units combine. Although this film focuses on two specific families, the message that Farhadi sends can be applied to all of society. This essay will argue that Farhadi portrays the overwhelming separation that today’s society falls victim to through analysing the conflicts of different gender, class, and religious positions between the two families of…

    • 1779 Words
    • 8 Pages
    Great Essays
  • Great Essays

    Once again, it is an understanding woman, Rizwan’s sister-in-law, a psychologist, who comes to the rescue and helps him get his bearings. Shifting the locale to a more “open” and heterogeneous society makes the relationship between Rizwan Khan and Mandira plausible. The notion of highly individualized romantic love transcending the barriers of class, religion, and (dis)ability, would probably have been inconceivable in Khan’s hometown. But in America, the possibilities seem endless. Yet, the discrimination and insularity that results in personal tragedy reveal that no society is free from stigmatizing the “other”.…

    • 1585 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    Many films throughout history, have not only illuminated some culture’s shortcomings but the strength and ability to deviance in hopes of attaining meritocracy. It is within the arts, films, music and literature that are produced by a culture that researchers can identify the evolution of change from analyzing the micro symbolic interactionism between individuals to the social consensus in the functionalist theory that produces an organic solidarity. Each of these theoretical paradigms allow one the ability to change perspectives in order to deduce how values and norms are modified. Although each theoretical theory can be applied to the film, “The Blind Side” it is while utilizing the macro conflict theory, that social inequality is seen to…

    • 1286 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    Thithi Movie Synopsis

    • 1050 Words
    • 5 Pages

    The plot synopsis of Ram Reddy’s Thithi (2016) indicates why such a simple film has consistently found its way to film festivals both national and international and has been already numbered among the most genuine examples of feature-length ethno filmmaking in Indian Cinema. The film Thithi, is about the death of a 101-year-old patriarch called Century Gowda and how three generations of his family react to his death. The opening sequence of the film begins with death of Century Gowda and the sequence that follows is perhaps the film’s most enigmatic with introduction of Gadappa, this character lives with audience; he is someone who wanders in village field, puffing local beedi and brandy, plays with children, responds to his father’s death as if nothing happened, and finds joy in company of shepherd community. The scene where Gadappa talks about tragedy of his…

    • 1050 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    This film is a true result in many ways in which beliefs’, norms, values,…

    • 743 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    This was specially shown by a cover story in one of the magazine saying: 'Is Sridevi a hero?' This shows that the attitude and the perception of women had totally changed by that time. With the increasing of Westernization of these films, there was a huge effect on the perceptions of beauty, sexuality, and gender roles for women? With this increased of Westernization of films, there was a need to the increased in marketization of Bollywood films and the portrayal of Indian women in Bollywood cinema created, produced, and reinforced women‘s roles in a more strictly heterosexual and rigid…

    • 1220 Words
    • 5 Pages
    Superior Essays
  • Superior Essays

    The conflict between rational and irrational ideologies is seen in literature and films of Bengal. Satyajit Ray’s Devi…

    • 2230 Words
    • 9 Pages
    Superior Essays
  • Improved Essays

    When Anand Patwardhan, popularly known for his socio-economic and human rights oriented films like Bombay Our City (1985), entered the realm of documentary filmmaking in 1971, he challenged the institutions dominating Indian documentary film production, distribution and censorship. Whereas when Paromita Vohra, acclaimed for her documentaries on urban life, popular culture and gender like Morality TV and Loving Jihad (2007), entered much later, in 1995 she had to deal with a completely different media-scape. Each adapted methods and techniques to suit the political and historical context in which they worked. Patwardhan and Vohra through their documentaries Bombay Our City and Morality TV and Loving Jihad respectively critique mainstream moral-political…

    • 1229 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Bollywood takes a new significance in everyone’s life. It reflects various themes through the public elements for Indian diaspora. The Bollywood diaspora often represents a substantial market for films whose characters are a definition of Indian identity galvanized by globalization. In this paper, the movie ‘Dilwale Dulhania Le Jayenge’ is analyzed to show how diaspora has been represented through its lens. Dilwale Dulhania Le Jayenge (DDLJ) (1995) a Yash Raj production, is an iconic and a very popular Bollywood movie of the 90’s.…

    • 926 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The film stars Salman Khan, Ajay Devgan, and Aishwarya Rai. The story is received from Maitreyi Devi's Bengali novel Na Hanyate, and is focused around an affection triangle. It additionally reflects the impact of the German novella Immense and the 1943 Nazi time film focused around it, Immense. So, these are the most waiting romantic bollywood movies of all time.…

    • 874 Words
    • 4 Pages
    Improved Essays

Related Topics