He carries a pocket knife and mimics statements they would say to him while thrusting it into something, unknowingly being watched by Eli. Eli is captivated by Oskar’s internal struggles and his need for vengeance. She treats him differently than she would treat prey, unlike in Carmilla where Carmilla still fed on Laura without her knowing. The voices in The Voice wanted what was best for the speaker and found that they had things in common. To quote Charles Baudelaire, “I find an ineffable joy in the taste of harsh, sour wine; I smile at the saddest moments; I weep amid gaiety” (Lines 23-24) Oskar finds pleasure in hurting the bully that had caused him suffering, Eli commended him for these
He carries a pocket knife and mimics statements they would say to him while thrusting it into something, unknowingly being watched by Eli. Eli is captivated by Oskar’s internal struggles and his need for vengeance. She treats him differently than she would treat prey, unlike in Carmilla where Carmilla still fed on Laura without her knowing. The voices in The Voice wanted what was best for the speaker and found that they had things in common. To quote Charles Baudelaire, “I find an ineffable joy in the taste of harsh, sour wine; I smile at the saddest moments; I weep amid gaiety” (Lines 23-24) Oskar finds pleasure in hurting the bully that had caused him suffering, Eli commended him for these