• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/37

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

37 Cards in this Set

  • Front
  • Back

Collage, Romare Bearden, "Rocket to the Moon"

Rene Magritte, The Treachery of Images

Theo van Doesburg, Abstraction of a Cow Series

Georgia O'Keeffe, Jack in the Pulpit No. V

Iconography

the subjects, symbols, motifs used in an image to convey it's meaning

Auguste Rodin, The Kiss

Brancusi, The Kiss

Content

The message the artist is trying to convey

Aesthetics

awareness of beauty or to that quality in a work of art which evokes a sense of elevated awareness in the viewer

Francisco Goya, "I Saw This", ART AS COMMENTARY

"The Tree of Jesse", ART IN WORSHIP OR RITUAL

Rock Garden, ART IN WORSHIP OR RITUAL

Taj Mahal, ART FOR COMMEMORATION

Maya Lin, Vietname Veterans Memorial, ART FOR COMMEMORATION

Mask, initiation ceremony

Kandinsky, Composition VI, ART OF SELF-EXPRESSION

Paul Cezanne, Still Life with Apples

Properties of Color

Hue, Value, Intensity

Color Relationships

Monochromatic, Analogous, Complements

Texture

tactile quality of surfaces or visual representation of textural surfaces

Oppenheim, Breakfast in Fur

Van Gogh, The Starry Night

Chiaroscuro

suggested depth by shading from light to dark

Analogous

color schemes based on colors adjacent to one another on the color wheel

Complementary

color schemes that emphasize two hues opposite each other on the color wheel

Impasto

brush strokes of thick paint

Medium

particular material used to create art

Mixed Media

art made with a combination of mediums

Nuestro Pueblo, Watts Tower, Example of Outsider Art

Looking

taking in what is before us in a generally mechanical orgoal-oriented way

Seeing

is a more open, receptive, and focused versionof looking,

Marc Chagall, I and the Village, Implied Lines and Complementary Colors

M.C. Escher, Sky and Water, Morphing, Symmetry

Fernando Botero, The Horse

Giacometti, Man Pointing

Kinetic Motion

Raphael, The School of Athens, One Point Perspective, Michelangelo, Plato