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40 Cards in this Set

  • Front
  • Back
highly decorated & ornamented, long, continuous setttled on 2 scales, major and minor
Late Baroque
soft, then loud - no crescendos/decrescendos
terraced dynamics
divine right of kings
age of absolutism
harmonic progressions were ordered logically and functionally - musical form was based on clear and regular formulas
age of science
a self-contained section of music - part of a larger work
movement
contest between a soloist and orchestra
concerto
contest between group of soloists and orchestra
concerto grosso
an improvisatory solo passage within a larger piece
cadenza
form of many concerto movements - means return of orchestral material in between faster and more brilliant soloist material
ritornello form
successive uninterrupted repetition of one clearly defined melodic unit that changes without losing touch with original theme
baroque variation form- the ground bass
polyphonic composition for a fixed number of instrumental lines or voices
fugue
three or four voices built on a principal theme
fugue subject
all voices present subject in an orderly way
exposition
subject enters at different intervals spaced out by passages of other music
episodes
collection of miscellaneous dances intended for listening rather than dancing
dance suite
special preparatory number to introduce dance suite
french overture
serious opera - principal type of italian baroque opera - anciet history plots
opera seria
the text of an opera
libretto
an opera on a religious subject presented in concert form
Oratorio
traditional congregational hymns
chorales
keyboard genre - organ composition incorporating a hymn
organ chorale or chorale prelude
simple, short tunes, repetition of themes and phrases (1750-1825)
classical period
1780-1790s intellectual movement, supported artrs and education
age of reason or enlightenment
at mid century - light art - feathery, charming, and empty
rococo style
product of rococo - genre of pieces designed to divert, amuse, entertain
divertmento
genre developed during the classical period - usually 4 movements - large, impressive concert piece for orchestra
symphony
large scale A B A form, usually with repititions (exposition, development, recapitulation)
sonata form
successive, uninterupted repitition of a clearly defined melodic unit, the theme, with various changes A A' A'' A'''
classical variation form (theme & variations)
called ternary form or minuet-trio-minuet form (A B A)
minuet form (classical dance form)
A B A C A D A somewhat similar to ritornello form
rondo form
compositions for one or two instruments only - not designed for concerts but for private performances, often by amatuers
the sonata
refined version of baroque concerto grosso - instrumental virtuosity still the central feature
the classical concerto
orchestra introduces exposition - followed by soloist exposition
double-exposition form
genre for 4 instruments - 2 violins, 1 viola, 1 cello - various # of movements - for private audiences -
string quartet
small genre designed to be played in a room - incorporates 2-9 players
chamber music
comic opera
opera buffa
part of opera buffa - musical numbers sung by two or more people - to depict the different sentiments of the participating characters simultaneously
the ensemble
bridge composer between classical and romantic periods - maximaized virtually all musical elements - higher/lower registers (1770-1827
ludwig van beethoven
technical innovation of beethoven - fast, rushing movement in triple meter - "joke" in italian - minuet trio form ( A B A)
scherzo
piece of moderate length for voices and instruments to be performed during Lutheran Church services
church cantata