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28 Cards in this Set
- Front
- Back
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Baroque period |
1600-1750 |
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Vocal genres |
Opera, cantata, oratorio |
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Instrumental genres |
Concerto, trio sonata, preludes, fugues, solo sonata |
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Monody |
A featured solo song with instrumental accompaniment |
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Figured bass |
The notation system that notates harmonies based on the bass pattern |
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Bassoon continuo |
Continuous bass: the music that employs the bass throughout the entire song |
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Virtuosity |
Voice technique that imitates the sound of instruments |
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Recitatives |
Speech-like declarations of the text |
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Libretto |
The text of opera |
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Aria |
Lyrical song |
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Overture |
Orchestral work in an introductory movement, as in an opera or oratorio. |
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Da capo |
A-B-A form |
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Bar form |
A-A-B |
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Ritornello |
Short, recurring instrumental found in both the aria and the baroque concerto |
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Monody |
Vocal style established in the baroque era, with solo singer(s) and instrumental accompaniment |
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Corelli |
Established the sonata trio form |
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Opera composer |
Handel, "julius caesar" |
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Oratorio composer |
Handel, "messiah" |
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Cantata composer |
Bach, "sleepers, awake" |
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Chorales |
Weekly hymes created by Lutheran church |
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Lutheran cantata |
Elaboration of chorales |
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Liturgy music |
A specified component of a worship service music |
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Devotional music |
Music that allows for a more flexible spiritual expression and can be perform in public venues |
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Lining out |
Puritan congressional worship music that was employed in new england |
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Lining out composer |
William billings, " David's lamentation" |
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2 main keyboard instruments |
Organ and harpsichord |
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Scarlatti |
Composed over 550 solo keyboard sonatas |
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Keyboard genres |
Solo sonata, prelude, fugue, tocatta |
