Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
40 Cards in this Set
- Front
- Back
Boethius
|
Antiquity/Early Medieval, c. 500, Italian, described 3 kinds of music: mundana, humana, instrumentalis.
|
|
Pope Gregory I
|
Antiquity/Early Medieval, c. 600, Standardized chant use, supported writing chant down, Rome, established schools for musicians, Gregorian chant.
|
|
plainchant
|
Monophonic liturgical music without strict meter.
|
|
Gregorian chant
|
Named for Pope Gregory I, same as plainchant, which is monophonic liturgical music without strict meter.
|
|
Mass
|
Primary service of the day, could be Sunday or other days, from "Ita missa est", contains Proper and Ordinary.
|
|
Proper
|
Text of the mass that changes to match the liturgical year.
|
|
Ordinary
|
Sung every day, includes:
Kyrie Gloria Credo Sanctus Agnus Dei |
|
Reuiem Mass
|
Mass for the dead.
|
|
Divine Offices/office services
|
Short services that occurred eight times a day. In the course of a week of these, all 150 psalms would be sung.
|
|
Neume
|
One or more notes sung "left to right"
|
|
C & F clefs
|
Indicates C or F line, movable.
|
|
ij and iij
|
Repeat what was just sung once or twice.
|
|
Syllabic
|
Mostly one not per syllable
|
|
Neumatic
|
A few notes per syllable
|
|
Melismatic
|
Many notes per syllable
|
|
Psalm tones
|
Recitation melodies used for singing the complete offices, usually Vespers.
|
|
Tenor
|
Reciting tone of a psalm tone; repeating pitch.
|
|
Trope
|
An addition, textural or musical, to standard chants.
|
|
Hildegard of Bingen
|
Most noted for sacred drama; 1100
|
|
Guido
|
Created a system of sight-singing, "in the hand,"
|
|
Authentic Modes
|
Modes which had finals of d, e, f, and g extending from the final to an octave above it, sometimes to a note below final.
|
|
Perotin
|
Substitute Clausulas, organum quadruplum. Ars Antiqua; 1150
|
|
Franco d' Cologne
|
Created a system of rhythmic notation; known for motets. French. 13th century. 1250
|
|
Plagal Modes
|
Modes which had finals of d, e, f, and g which extend from a fourth below to a fifth above.
|
|
Petrus de Cruce
|
Wrote divisions of four notes per beat, dots indicated beat. 1260
|
|
Adam de la Halle
|
Famous trouvair, all secular music. 1270
|
|
Final
|
Last note of a modal plainchant.
|
|
Range
|
Distance between lowest and highest notes in a modal plainchant.
|
|
Hexachord
|
Based on c, f, and g, first 6 notes based on Ut Quaent Laxis. Solomozation syllables.
|
|
Mutation
|
The transition from one hexachord to another.
|
|
Parallel Organum
|
9th; voices
|
|
Mixed Paralell Organum
|
10th begins and ends in unison, repeated pitch on bottom
|
|
Free Organum
|
11th
|
|
Melismatic Organum
|
12th;
|
|
Clausulas
|
Ancestor to motet.
|
|
Parallel Organum
|
9th; voices
|
|
Mixed Paralell Organum
|
10th begins and ends in unison, repeated pitch on bottom
|
|
Free Organum
|
11th
|
|
Melismatic Organum
|
12th;
|
|
Clausulas
|
Ancestor to motet.
|