The Differences Between The Adaptations And The Antecedent Renditions Of The Beloved Disney Versions Of Fairy Tales

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As a child, the beloved Disney versions of fairy tales instilled the notion of the stories having a perfect ending in our minds. Hence, whenever the phrase “happily ever after” is cited, we would immediately associate it to fairy tales. However, as we mature, we realize this jejune perception is not entirely authentic. The level of complexity becomes increasingly apparent as we delve deeper into the origins; we discover the profound discrepancy between the adaptations and the antecedent renditions. Thus, the disputable question arises: is it imperative for a narrative to have a happy ending for it to be classified as a fairy tale? There may be a variety of answers from individuals due to his or her preferences and perspective, but personally, I approach this question by inquiring the meaning and value of fairy tales, as well as why we read them. Referring to our readings of fairy tales, it is commonly regarded as a source of entertainment: providing us pleasure, delight, amusement… Therefore, with the narratives aimed to provide enjoyment, it could be said those with a bleak end fulfills the intent. This is because both depictions could potentially captivate our interests. On the other hand, if fairy tales endeavor to educate the audience, it strikes the query of whether those with happy endings manifest an impractical representation of reality, making us idealists; this conceivably creates an adverse outcome. Margaret Atwood expressed that “fairy tales can both shape our…

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