This only cements the previous notion that these pipes are not heard physically, but experienced in the imagination. Just as the sight of an instrument would evoke a feeling associated with the sound, and your mind would then begin creating a melody to match it. The pipes are also described in the next line as “spirit ditties of no tone:” (line 14). Here he is calling the pipes ghostly or ethereal, as a song that has “no tone,” because it does not exist in this realm. Keats is truly engrossed in this fantasy, as he reconstructs every detail of the urn through his
This only cements the previous notion that these pipes are not heard physically, but experienced in the imagination. Just as the sight of an instrument would evoke a feeling associated with the sound, and your mind would then begin creating a melody to match it. The pipes are also described in the next line as “spirit ditties of no tone:” (line 14). Here he is calling the pipes ghostly or ethereal, as a song that has “no tone,” because it does not exist in this realm. Keats is truly engrossed in this fantasy, as he reconstructs every detail of the urn through his