We may not get there, but what I see Wang doing in this essay is raising the question more than proclaiming that Kuniyoshi was definitely against Japan. In other words, the artist’s efforts reveal his patriotism via his willingness to propagate anti-Japan illustrations. However, what he was actually against may not have been Japan but what Japan represented as a nation in the American imaginary as a result of its militaristic ideology during the world wars. Nevertheless, using Mae Ngai’s term, Kuniyoshi instantaneously became an “impossible subject” after the bombing of Pearl
We may not get there, but what I see Wang doing in this essay is raising the question more than proclaiming that Kuniyoshi was definitely against Japan. In other words, the artist’s efforts reveal his patriotism via his willingness to propagate anti-Japan illustrations. However, what he was actually against may not have been Japan but what Japan represented as a nation in the American imaginary as a result of its militaristic ideology during the world wars. Nevertheless, using Mae Ngai’s term, Kuniyoshi instantaneously became an “impossible subject” after the bombing of Pearl