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Analysis of Artistic Works Amitabha Budda (Amida), the Buddha of Infinite Light, Kamakura period, Japan, 13th century, is a work of art made in a gilt bronze medium (Sayre, 33). The gilt bronze used in making the sculpture of Amida accentuates the iconographic role that the way a Buddha positions his/her hands plays. The creator of Amida’s sculpture has succeeded in showing the mythical qualities surrounding the wisdom Buddhas. Amida’s standing posture exemplifies the role that he played in providing a lifeline to anyone who called his name and sought redemption. Traditionally, Amitabha held royal responsibilities until the time he received instruction in Buddhist ideals. The appeal of the …show more content…
In Eyck’s painting, a traditional, private wedding is taking place, and the painting seems a certification of the marriage. The mood of the bride and he bridegroom leaves no doubt that Eyck’s work sought to celebrate the fact that the married life of the two couples had not faced problems. Eyck manages to juxtapose thematic ideals on religion and secularism in a way that reveals deeper and diverse meanings beyond what people see in the painting. In the Chandelier, a lit candle signifies matrimonial life how it affects people (Stokstad, 600). Eyeck’s painting also shows the man supporting the woman’s hand with his left hand, but he does not grasp that hand, though. Some shoes are on the floor, and it seems they belong to the woman; this means that the woman values the sanctity of that place to the extent that she does not want to step on it in shoes. In the painting, there is a small dog that could simply pass of as a normal pet, but it symbolizes fidelity, and considering that it is a rare breed, it also signals …show more content…
Not only does the spotless mirror create an allusion of purity, it also reflects some two other people in the same room, and the inference that the mirror creates is that some people are witnessing the private wedding. Besides the mirror, the wall has crystal prayer beads, and at the top side of a chair with a high back that stands beside a bed, an image has been carved; this is the image of Saint Margret who protects women at the time of childbirth. The image of the saint and the prayer beads indicate that the couple is pious. The windowsill has oranges that show the innocence of humankind prior to the time Adam and Eve underwent disgrace; they also signify that the couple is wealthy. Were it not for the medium that Eyck used in making the painting of the couple at the private wedding, the attendant inferences would have been of a different nature. Van Eyck has chosen a novel technique, and the effectiveness of his technique is apparent in how he is able to attend to the smallest of details in the setting of a private wedding (Scallen, 226). Overall, Eyck’s painting is an outstanding piece of art that shows how creativity makes it possible to unleash symbolism from its greatest depths. The medium that Eyck uses creates a captivation that makes it difficult to doubt the plausibility of the world that the artist has