A Streetcar named Desire’s time of production in 1947 depicts the metamorphosis of societal change in America’s ideas of society and the sudden naturalisation of the arrival home of war-ridden soldiers. Although the majority of America has naturalised to the hedonistic lifestyle and the freedom of society, the traditional values continue to subsist on. America appears to be in transition as is depicted through Blanche's fading southern values being compromised by the emerging New America that is represented by Stanley Kowalski. A dominant masculinity is presented via Stanley through brutal dialogue and shocking plot developments. A Streetcar named Desire is a dramatic text that revolves around Blanche DuBois and her visit to her sister, Stella
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Blanche challenges the notions of America’s change of society and her lack of femininity roles that have been exploited. In 1947, the time period post World War Two began the Baby boom era in which the societal expectation of women was to be regarded as a mother and a housewife. Blanche’s inability to confer to her feminine stereotype as a mother and housewife challenges America’s presumptions of women gender roles. Blanche portrays this masculine view through A Streetcar named Desire’s plot of Blanche’s suicidal husband and inability to achieve male company from Stanley or Mitch. Another aspect Blanche challenges is the ideas of the New America as her incapability to reform from her views of the Old South. Blanche represents the deterioration of the Old South by her ideal of the Southern values specifically in male attention of New Orleans. “Please don't get up” depicts Blanche’s contrast of the New American men to a Southern gentleman’s usual act as Stanley replies “Nobody’s going to get up, so don't be worried”. This deterioration of the society’s south is further unveiled in her deterioration of mental stability. Williams uses Blanche’s mental health to expose that the Old South was deteriorating in society and the New America had become the societal
Blanche challenges the notions of America’s change of society and her lack of femininity roles that have been exploited. In 1947, the time period post World War Two began the Baby boom era in which the societal expectation of women was to be regarded as a mother and a housewife. Blanche’s inability to confer to her feminine stereotype as a mother and housewife challenges America’s presumptions of women gender roles. Blanche portrays this masculine view through A Streetcar named Desire’s plot of Blanche’s suicidal husband and inability to achieve male company from Stanley or Mitch. Another aspect Blanche challenges is the ideas of the New America as her incapability to reform from her views of the Old South. Blanche represents the deterioration of the Old South by her ideal of the Southern values specifically in male attention of New Orleans. “Please don't get up” depicts Blanche’s contrast of the New American men to a Southern gentleman’s usual act as Stanley replies “Nobody’s going to get up, so don't be worried”. This deterioration of the society’s south is further unveiled in her deterioration of mental stability. Williams uses Blanche’s mental health to expose that the Old South was deteriorating in society and the New America had become the societal