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43 Cards in this Set

  • Front
  • Back
Absolute threshold
The minimum amount of energy in a sensory stimulus detached 50 percent of the time.
Signal detection theory
A theory that assumes that the detection of faint sensory stimuli depends not only upon a person's psychological sensitivity to a stimulus but also upon his decision criterion for detection, which is based on nonsensory factors.
Difference threshold
The minimum difference between two sensory stimuli detached 50 percent of the time. The difference threshold is also sometimes referred to as the just noticeable difference, of jnd.
Weber's law
For each type of sensory judgement that we can make, the measured difference threshold is a constant fraction of the standard stimulus value used to measure it. This constant fraction is different for each type of sensory judgement.
Steven's power law
The percieved magnitude of a stimulus is equal to its actual physical intensity raised to some constant power. The constant power is different for each type of sensory judgement.
Sensory adaptation
Our sensitivity to unchanging and repetitious stimuli disappears over time.
Wavelength
The distance in one cycle of a wave, from one crest to the next.
Amplitude
The amount of energy in a wave, its intensity, which is the height of the wave at its crest.
Frequency
The number of times a wave cycles in 1 second.
Transduction
The conversion of physical energy into neural signals that the brain can understand.
Accomodation
The focusing of light waves from objects of different distances directly on the retina.
Nearsightedness
A visual problem in which the light waves from distant objects are focused in front of the retina, blurring images of these objects.
Farsightedness
A visual problem in which the light waves from nearby objects are focused behinf the retina, blurring the images of these objects.
Retina
The light-sensitive layer of the eye which is composed of three layers of cells-ganglion, bipolar, and receptor (rods and cones).
Rods
Receptor cells in the retina that are principally responsible for dim light and peripheral vision.
Cones
Receptor cells in the retina that are principally responsible for bright light and color vision.
Fovea
A tiny pit in the center of the retina filled with cones.
Dark adaptation
The process by which the rods and cones through internal chemical changes become more and more sensative to light in dim light conditions.
Trichromatic theory
A theory of color vision which assumes that there are three types of cones, each only activated by wavelength ranges of light corresponding roughly to blue, green, and red. It further assumes that all of the various colors that we can see are mixtures of various levels of activation of the three types of cones. If all three are equally activated, we see white.
Additive mixtures
Direct mixtures of different wavelengths of light in which all of the wavelengths reach the retina and are added together.
Subtractive mixtures
Mixtures of wavelenghts of light in which some wavelengths are absorbed (subtracted) and so do not get reflected from the mixtures to the retina.
Complementary colors
Wavelengths of light that when added together produce a shade of white.
Opponent-process theory
A theory of color vision which assumes that there are three opponent-process cell systems (red-green, blue-yellow, and black-white) which processes color information after it has been processed by the cones. The colors in each system oppose one another in that if one color is stimulated, the other is inhibited.
Hair cells
The receptor cells for hearing. The line the basliar membrane inside the cochlea.
Nerve deafness
Hearing loss created by damage to the hair cells or the auditory nerve fibers in the inner ear.
Conduction deafness
Hearing loss created by damage to one of the structures in the ear responsible for mechanically conducting the auditory information to the inner ear.
Place theory
A theory of pitch perception which assumes that there is a specific location along the basliar membrane which will maximally respond to a particular frequency, thereby indicating the pitch to the brain. As this location goes down the basliar membrane from the oval window, the pitch goes down from 20,000 Hz. to 20 Hz.
Frequency theory
A theory of pitch perception which assumes that the frequency of the sound wave is mimicked by the firing rate of the entire basliar membrane.
Volley principle
Cells taking turns firing will increase the maximum firing rate rate for a group of cells.
Sensation
The initial information gathering and recording by the sensory structures.
Perception
The interpretation by the brain of sensory information.
Bottom-up processing
The processing of incoming sensory information as it travels up from the sensory structures to the brain.
Top-down processing
The brain's use of knowledge, beliefs, and expectations to interpret sensory information.
Perceptual set
The interpretation of ambiguous sensory information in terms of how our past experiences have set us to percieve it.
Contextual effect
The use of the present context of sensory information to determine its meaning.
Figure-and-ground principle
The Gestalt perceptual organizational principle that the brain organizes sensory information into a figure or figures (the center of attention) and ground (the less distinct background).
Closure
The Gestalt perceptual organizational principle that the brain completes (closes) incomplete figures to form meaningful objects.
Subjective contour
A line or shape that is percieved to be present but does not really exist. The brain creates it during perception.
Perceptual constancy
The perceptual stability of the size, shape, and brightness, and color for familiar objects seen at varying distances, different angles, and under different lighting conditions.
Depth perception
Our ability to percieve the distance of objects from us.
Retinal disparity
A binocular depth cue referring to the fact that as the disparity (difference) between the two retinal images of an object increases, the distance of the object from us decreases.
Linear perspective
A monocular depth cue referring to the fact that as parallel lines recede away from us, they appear to converge- the greater the distance, the more they seem to converge.
Interposition
A monocular depth cue referring to the fact that if one object partially blocks our view of another, we percieve it as closer to us.