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49 Cards in this Set
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"boy peeling fruit", 1590s, unsure if its his, first no works prior. genre. |
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"card sharps," 1595. genre elements, looks similar to b peeling fruit. Compared to "gypsy fortune teller" |
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"gypsy fortune teller," 1595. Similarities to other works, has bow on her neck that repeats later on. The get or be gotten mentality, compare to Breugel Big fish little fish |
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"Boy w/ Basket of Fruit." 1595. Imperfectness of the fruits is very car. Genre painting but new elements, bare shoulder unnecessary. compared to boy peeling fruit to attribute |
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"Sick bacchus," 1595. still sensual like others, presenting bacchus in a original way |
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"concert of youths," 1595. sensual elements with clothing again. Patron is cardinal del monte, becomes on of his imp. patrons. Androgynous men. Brings viewer in with instrument in foreground. Context is giorgione pastoral concert |
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giorgione "pastoral concert", 1510. compared to car. concert of youths |
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"Lute Player" 1595. androgynous figure again. The other instrument is meant for the viewer to pick up, bringing in viewer is a very baroque thing. involved viewer |
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"Bacchus" 1595. descriptive title. inviting look and offering wine glass. playing with idea of bacchus, humanizing him and making this a genre scene almost |
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"boy bitten by a lizard" 1595. lizard and rose are meant to be love and death. middle finger is meaningful |
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"medusa" 1595. Painted on a shield, functional. shows him thinking about antiquity and history, renaissance as well. a tradtional kind of subject. commissioned by del monte. |
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"still Life" or "Basket of Fruit" 1595. stand alone still life,one of first ones life this that was just that. compare to Claara peters still life 1611. Celebrating the beautiful. fruit past their prime, realistic |
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"Mary Magdalene" 1595. steppping back from erotic portrayals of her. her attributes set her apart, new way of doing magdalene |
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"rest of flight into egypt." 1595. Early im rome. might have been for del monte. Mary pose identical to mary M. Influence of venetian landscape painting. |
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"Ecstasy of St Francis" 1595. spiritual transformation of st francis symbolic for counter reform. francis is christ, reference. possibly del monte. c ompare to Bellini's from 1480, car. much more private. |
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"Judith Beheading holofernes" 1600. addresses counter reform issues, deals with confidence in faith. risking life for faith, faith protects |
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"Doubting Thomas" 1600. hasnt been shown like this before, graphic probing of jc. Thomas is blind, representing protestants who dont believe. |
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Carracci, "Assumption" 1600. virgin urges viewer to look upward towards light coming in. Shows differences between carracci and car. much more flamboyant, raphael type colors. |
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"Martyrdom of St paul" 1600. Dirty feet thrown into viewers face, example of reality and car. style |
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"Conversion of saul" 1600. 2 versions. 1st version has more figures and is rejected. 2nd has less action. Saul is more accepting, big difference. 1st version akin to michelangelos treatment |
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"Calling of st matthew" 1600. Peter with Jc and in front, this is a reform ideal. references sistine ceiling with hand. peter represents pope |
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"Martrydom of matthew" 1600. 2 versions, 1st gets painted over. |
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"inspiration of matthew" 1600. 2 versions. not as surprised in second version, angel dictates to him instead of actually writing. |
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"Supper at Emmaus" 1600. Beardless christ is influenced by discovery of sarcophagus of junius bassus where hes beardless too. new thing in art |
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"sacrifice of abraham" 1600. looks like st matthew. shows influence of venetian landscape painting. |
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"entombment" 1600. lady in back directs eyes to apieta. reubens does copy |
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"Madonnna di loreto" 1600. painting a roman woman, study of venus statues from antiquity |
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"Crucifixtion of st andrew" 1600. emaciated figure for realism. when caravaggio is in naples or spain |
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"death of the virgin. 1600. people accused him of using dead prostitue for model, pissed them off. compared to carraci's is very different, very realistic. right vs earthy |
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"David with the head of goliath" 1610. not androgonous figure, self p goliath. expression is problematic. compared to bacchus is different young man |
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Armesia gentileschi. "Self p" 1640. Following iconography of cesare ripa, allegory of painting. presents herself as a painter and as painting, saying more with her portrait. |
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sofonisba anguissola "self p" 1560. more typical female self p, with another woman, virtue. what a proper female artist does |
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Annibale carraci "self p" 1595. Breaking mold, very original. not presenting his living self. |
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artemsia gentileschi. "Madonna and child" 1610. tenderness between mother and child. realistic in portrayal of child wanting to eat. sources delphic sybil maybe, caravaggio rest on flight into egpyt |
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artmesia gentileschi. "Susanna and the elders" 1610. new representation of this subject. reference to herself being harrassed. personal, women against a wall. not based of venus as was typical |
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ludovico carracci "susanna and the elders" 1600. typical rep of subject, not like ags |
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annibale carracci "The Bean eater" 1580. Out of nowhere, could be allegory of senses. this is compared to early carravaggio shows a kind of opposite trend in their work |
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carracci "boy drinking" 1580. practicing technical skill, showng hes accomplished |
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carracci "choice of hercules" 1595. virtue over vice, in palazzo farnese in the library, librarian chose subjects. raphael colors |
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carracci "triumph of bacchus" 1595. for marriage celebration, in party room on ceiling. love of the gods. bacchus torso apollo belvedere. example of quadro riportato |
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carracci "pan and diana" 1595. one of his narrative paintings |
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carracci "venus and anchises" 1595. farnese ceiling, quadatura, quadro riportato |
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"diana and endymion" 1595. farnese ceiling painitng. |
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carracci "rest on flight into egypt" 1600. classicised background. developing formual for landscape. influential on poussin |
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domenichino "self p" 1610. engaged with viewer |
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domenichino "hunt of diana" 1615. nude female figures sources for rococo. woman looking at viewer |
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domenichino" flight into egypt" 1610. refugee crisis in europe at time. bigger focus on nature, northern tradition. |
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domenchino "cumean sybl" raphael sistine madonna source. beaty and grace, ties to raphael. |
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domenichino "landscape with st jerome" 1610. compare to car. st matthew, more heroic |
