Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
23 Cards in this Set
- Front
- Back
Chorale |
text and tune; simple metrical tune, rhyming verses · originallymonophonic (consisting of a single unaccompanied melody line) · strophic hymnin Lutheran tradition, intended to be sung by the congregation in German. |
|
Madrigal |
1.poetic text; Italian poetic form and its musical setting having two or three stanzas followed by a ritornello. a. word painting |
|
Orfeo |
- 1st opera based on the story of Ofeo |
|
Binary Form |
1. two roughly equal sections, each repeated a. first section leads to dominant, secondreturns to tonic ex: A/B section |
|
ContenanceAngloise |
1. English- early renaissance using thirds and sixths (instead of 4ths and 5ths); often in parallel motion. |
|
CounterReformation |
catholic church taking over, Palestrina (1545-1563) |
|
Virginalists |
- Played the virginal, British: William Bryd a. English name for the harpsichord; keyboard |
|
Consort |
-English name for a group of alike instruments |
|
Broken Consort |
English name for a group of different instruments. |
|
Recitative |
- a half-singing, half-reciting style of presenting words in opera, cantata, oratorio, etc., following speech accents and speech rhythms closely. |
|
Toccata |
Italian for “touched” -Piece for keyboard or lute resembling an improvisation; may include imitative sections ormay serve as a system of tonality |
|
Fugue |
-harmonized round; one subject and develops it a. Imitative counter point based on a subject; usually 1st and 5th scale degrees |
|
Suite |
a set of pieces that are linked together into a single work. -Baroque period refers to a set of stylized dance pieces (collection of dances) Allemande, grande, sarabande |
|
Da Capo Aria |
Aria form with two sections (ternary form) -First section is repeated after the second section’s close; ABA form ex: Bel Piacere Handel - Italian for "from the head" - |
|
Cantata (in the style of Barbara Strozzi)** |
- little chamber operas that people would host in their home (Mickey and Mon hosting a cantata in the dorms) |
|
Ground Bass |
-Basso Ostinato; Italian for “persistent bass” - A pattern in the bass that repeats while the melody above it changes (descending 4th line) |
|
Cori Spezzati |
associated with St. Marks cathedral - Gabrelli the choirs or group of instruments that were placed in a balcony of a church to create surround sound |
|
Trio Sonata |
Four people play in a trio sonata · cello playing bass · keyboard player- fill in the chords (usually improvised) · flute/ violins to play melody |
|
Basso Continuo |
-Keyboard instrument or lute that fills in the chord/ fill in the harmony. (figured bass) -Italian for“continuous bass”; system of notation and performance practice in baroque period. - Instrumental bass line is written out and one or more players of keyboard, lute or similarinstruments fill in the harmony with chords or improvised melodic line; bassline itself. |
|
French Overture |
-Type of overture used in Tragédie En Musique and other genres that opens with a slow, homophonic, and majestic section, followed by a faster second section that begins with imitation. -Homophonic-all voices that move together in the same rhythm. |
|
Antiphonal |
-alternating choirs |
|
polyphonal |
music or musical texture consisting of two or more simultaneous lines of independentmelody |
|
polychoral |
For more than one choir; multiple choirs. |