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22 Cards in this Set
- Front
- Back
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Perfect Authentic Cadence |
both chords in root w tonic in Soprano. V to I |
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Imperfect Authentic Cadence |
not in root/tonic in sop. still V to I |
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Half Cadence |
ends on V or vii chord |
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Phrygien Half Cadence |
minor 4 in first inversion to a 5 chord. iv6 to V |
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Plagal Cadence |
4 to 1 or 2 to 1, iv to i, ii to i |
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Deceptive Cadence |
5 to 6 |
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Plegal Half Cadence |
ends on 4. usually 5 to 4. maybe 1 to 4 |
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Passing Tone |
step wise movement in same directions |
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neighboring tone |
step wise in opposite directions. return to og note |
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escape tone |
step in one direction and leap in the opposite direction |
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anticipation |
step in one direction thats resolved by repetition |
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appoggiatura |
leap in one direction and resolved by step in opposite direction |
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successive passing tones |
two passing tones leading stepwise in same direction |
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pedal tone |
constant note played in bass |
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changing tone |
steps away from chordal tone to non H, leaps in opposite direction to non H, steps in opposite direction back to chordal tone |
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suspension |
preperation (chordal tone) suspension (carried over note that is now non h) resolution (step down to chordal tone) |
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9-8 suspension |
suspension is 9th above bass and resolved down to 8th above bass |
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7-6 suspension |
7th above resolves to 6th above always resolves to inversion |
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4-3 suspension |
most popular 4th above resolves to 3rd above |
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2-3 suspension |
bass moves down to a 3rd below sop |
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9-6 suspension |
really a 9-8 suspension w a leap up in bass to be a 6th between bass and sop |
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retardation |
upward resolving suspension 2-3 sop is 2nd above bass and resolves up to a 3rd above bass |
