Mus 125 Final

Front 1

If the colonial power was Catholic, the drum and dance traditions in the colony were____________.

Back 1

allowed to continue

Front 2

By the 1970s, the descendants of the Cuban son, the mambo, and related forms became known under the umbrella label of:

Back 2

salsa

Front 3

From the "Ijesha" people of Nigeria, this sacred dance rhythm became Yesa or iyesa - in _______.

Back 3

Cuba

Front 4

_______is a family of three rhythms

Back 4

rumba

Front 5

_______is the fast tempo (also played in 6/8), danced by men only.

Back 5

rumba colombia

Front 6

If the lead drum is the quinto, it is most likely ________ music.

Back 6

secular

Front 7

Ras Tafari or prince Tafari was the pre-coronation name of________.

Back 7

Haile Selassie

Front 8

A lyrical slow Cuban song is known as a:

Back 8

bolero

Front 9

_____is a five-note rhythm.

Back 9

clave

Front 10

Rastafarians believe that Ras Tafari was a descendant of King David and the lost tribe of Israel. (T/F)

Back 10

True

Front 11

secular dance form in Cuba

Back 11

all of the above

Front 12

anthropological phenomenon between meeting cultures

Back 12

syncretism

Front 13

A repeated asymmetrical pattern derived from timekeeper bells of West Africa is a:

Back 13

clave

Front 14

_____________is the highest of the conga drums.

Back 14

Quinto or requinto

Front 15

_____ refers to the rhythmic chording of the guitar in reggae music, often on "2 +4".

Back 15

skank

Front 16

When the drummer plays the bass drum and the rimshot on beat 3 in Reggae it is called _______.

Back 16

one drop

Front 17

Dreadlocks represent a parallel with Judaism (the uncut locks of the Hasidim). (T/F)

Back 17

True

Front 18

______ is the rhythmic organization of the push and pull in the music.

Back 18

clave

Front 19

When the drumset plays bass drum on 1, 2, 3, 4 with the rim shot on beat 3, it is called____.

Back 19

four horse

Front 20

Guaguanco is the middle tempo dance of courtship that includes the ______and botao.

Back 20

vacunao

Front 21

____________ is the low drum of the conga.

Back 21

tumba or tumbadora

Front 22

Cuban rhythm - the first 3 notes in 3-2 son clave

Back 22

tresillo

Front 23

_________ (vaccination) is the symbolic gesture of copulation.

Back 23

vacunao

Front 24

__________ is the middle drum of the conga.

Back 24

conga or segundo

Front 25

______ food represents a dietary restriction for practicing Rastafarians.

Back 25

Ital

Front 26

_____refers to the rhythmic comping (chording) style on the keyboard, where the right hand plays on "2 + 4" and the left hand plays on all of the "+" , sandwiching 2+4.

Back 26

bubble

Front 27

Bass patterns in Cuban music, called ________ , frequently accent just before the beat, creating a distinctive syncopation.

Back 27

tumbao

Front 28

__________ is the drumming of the Rastafarian.

Back 28

Nayabingue

Front 29

______ is a 6/8 rhythm used to accompany sacred music of the Santeria.

Back 29

bembe

Front 30

In guaguanco, the woman's movements called _____can evade the choreographic attentions of the partner.

Back 30

botaos

Front 31

_______ is an instrument of concussive sticks.

Back 31

clave

Front 32

If the lead drum is the tumba, the music is most likely________.

Back 32

sacred

Front 33

Yambu is the slow tempo dance with no _______and botao.

Back 33

vacunao

Front 34

_________is an Afro-Haitian religion.

Back 34

vodou

Front 35

Rara and Petro/Petwo are the two branches of Vodou. (T/F)

Back 35

False

Front 36

________is the drum that responds to the lead drum in the Rada ensemble.

Back 36

Gwonde / Segonde

Front 37

Rada and Ogan are the two branches of Vodou. (T/F)

Back 37

False

Front 38

The vaksin player sometimes strikes the length of bamboo with a stick, playing the time-line called kata - a Ki-Kongo word meaning "to cut". (T/F)

Back 38

True

Front 39

The flight of Colonists from Haiti spread Haitian Creole culture. (T/F)

Back 39

True

Front 40

________is the lead drum in the Rada ensemble.

Back 40

Ounto / Manman

Front 41

________is the rattle that is played in the Vodou ensemble.

Back 41

Tcha Tcha /Asson

Front 42

In the Caribbean, Haiti has the strongest connection with African culture. (T/F)

Back 42

True

Front 43

Rada and Petro/Petwo are the two branches of Vodou. (T/F)

Back 43

True

Front 44

Because Haiti was under Protestant colonial rule the drum and dance traditions were allowed to continue. (T/F)

Back 44

False

Front 45

Rada is Kongo influenced, more militaristic and uses barrel shaped drums laced with cow skin heads. (T/F)

Back 45

False

Front 46

________is the drum that plays the ostinato in the Rada ensemble.

Back 46

Katabou / Bula/kata

Front 47

________is the bamboo trumpet from played in the Rara ensemble.

Back 47

Vaksin /vaccine

Front 48

Rada is cooler, Ewe/Fon (Dahomey kingdom), Yoruba (Nigeria) influenced. It uses goatskin peg tuned goblet shape drums with carved feet, (T/F)

Back 48

True

Front 49

_________season runs from Lent to the day after Easter.

Back 49

Rara

Front 50

________is a spirit, angel, god, ancestor spirit or African deity in the Vodou pantheon.

Back 50

Loa/lwa

Front 51

________is the hoe or iron bell in the Vodou ensemble.

Back 51

Ogan

Front 52

________ - is a Creolized genre drawn from French musical forms and African stick-fighting drumming and singing.

Back 52

Calypso

Front 53

Colonial government, of what is now Trinidad and Tobago, banned _________from Carnival in 1884.

Back 53

drumming

Front 54

In 1963 the government of Trinidad and Tobago put together a national competition at Carnival called _______.

Back 54

Panorama

Front 55

_____________ is a kind of steel drum.

Back 55

d. Ping-pong

Front 56

Guitar pan is a kind of steel drum.

Back 56

True

Front 57

Tenor or lead pan describes the percussion section in the steel drum ensemble.

Back 57

False

Front 58

Triple cello pan describes the percussion section in the steel drum ensemble.

Back 58

False

Front 59

Six or nine bass is a kind of steel drum.

Back 59

True

Front 60

Engine room describes the percussion section in the steel drum ensemble.

Back 60

True

Front 61

The pan is known to be the only completely new acoustic instrument invented in the twentieth century.

Back 61

True