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108 Cards in this Set
- Front
- Back
what are the two driving desires for a change of direction for dance in the 20th century were...
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1) to return to expressive motivation and personal vision 2) to revolt against the formal design and patterned movement of ballet
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what influences an artist besides one's individual impulse to express inner thought and feeling through movement?
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trends in the other arts, social, political, religious, spiritual, philosophical issues
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where did the first glimmerings of modern dance begin?
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America and Germany
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Who were delsarte and dalcroze?
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19th century european movement theorists
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what did delsarte and dalcroze pioneer?
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both devised different methods in understanding human movement
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delsarte believed in _____ while dalcroze developed a method called ______
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freedom and relaxation, eurythmics
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what is eurythmics?
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teaches concepts of rhythm, structure, and musical expression using movement,
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Rudolf von Laban devised systems of ______ and _____ dance and all movement, which is still in use today
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analyzing and notating
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What did Mary Wigman's works deal with?
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struggle between conflicting powers
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What were Mary Wigman's two innovative uses of music?
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silence and she would create the music after her choreography was completed
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Which Mary Wigman student opened a Wigman school in NYC?
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Hanya Holm
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Who became the first modern dancer to successfully choreography for Broadway musicals?
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Hanya Holm
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Who was the mother of modern dance?
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Isadora Duncan
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Where did Isadora Duncan receive her inspiration?
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nature, inside herself, and ancient Greek art
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What were Isadora Duncan's reasons for dancing?
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spiritual and emotional
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What kinds of music did Isadora Duncan choose for training and performances?
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the finest classical music and symphonies, serious concert pieces
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What kinds of costumes and decor did Isadora Duncan use?
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greek style tunics in bare feet with plain curtains hanging behind
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who were two other american pioneers of the modern dance movement?
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Ruth St. Dennis and Ted Shawn
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Why did Ruth St. Denis and Ted Shawn found the Denishawn school?
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they felt that America was laking the integration of body and spirit the way they had observed in Indian, Japanese, and Asian dance forms
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How did St. Dennis continue to influence dance in America after her partnership with Shawn ended? Shawn?
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she continued to teach dance and form liturgical dance movement in choirs and church groups; he became a teacher and author
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Who were the most illustrious graduates of the Denishawn school?
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Martha Graham, Doris Humphrey, and Wildman
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What was Martha Graham's devised system of muscular tension and relaxation known as?
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contraction and release
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What is contraction and release based on?
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breath and breathing
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What did Martha Graham's technique and performing style include?
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seated exercises for flexible hips and spines, standing exercises for strength, controlled falls
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what type of themes did Martha Graham like to choreographically explore?
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pre-christian, christian, american pioneers, greek tragedies
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Christian Themes
American Pioneers Greek Tragedies |
Primitive Mysteries, Appalachian Spring, Night Journey
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Why did many of Martha Graham's talented dancers leave her company?
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to explore their own movement ideas
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What was Doris Humphrey's technique based on?
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fall and recovery
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Doris Humphrey's book _________ is still used today for dance composition and choreography ideas
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The Art of Making Dances
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What did Lester Horton's technique emphasize?
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strong, fluid torso, and ease of movement
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What were Lester Horton's works about?
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social problems
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Who was Lester Horton's most well known student?
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Alvin Ailey
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What was one of Ailey's famous performances?
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Beloved --> based on a newspaper article about a minister who beat his wife to death with a bible because he thought she was unfaithful; was performed by dance theater harlem also
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what two male dancers started their careers in Martha Graham's company?
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Erick Hawkins and Paul Taylor
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What was Hawkin's mainly interested in? What was the dance called?
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American historical and literary themes; Plains Daybreak
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What does Paul Taylor dramatically portray? What was the dance called?
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human experience by juxtaposing light and dark, humor and tragedy; Speaking in Tongues
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Where did Anna Soklow graduate from?
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Martha Graham's Company
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What did Anna Soklow explore in her dancing?
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unanswerable questions of societal importance such as urban isoolation and the Holocaust
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What were the names of Anna Soklow's dances?
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Rooms and Dreams
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Who did Eleo Pomare study with?
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Kurt Jooss
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What did Eleo Pomare explore; what was his dance called?
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African American themes; The Junkie
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Who is called the father of Post-Modernism?
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Merce Cunningham
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Who does Merce Cunningham collaborate with?
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contemporary composers and artists; uses chance as impetus for choreography
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Who's works were entirely created by him for a total stage environment, his dancers often used as abstract, moving sculptural shapes?
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Alwin Nikolais
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What was one of Alwin Nikolais's works?
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Tensile Involvement
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Since the middle of the 20th century an attempt has been made to intertwine the diverse threads of what three dance genres?
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ballet, jazz, modern
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What are three trends that probably will continue in this century?
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1) blending of modern, ballet, jazz, tap, street dance 2) blending of theatrical with social and ethnic forms, sports and circus 3) blending with film, computer graphics and spoken word
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when dance is only one element of many, the total theatrical event is called what?
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Performance Art or Dance Theater
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Much of the work of contemporary choreographers is a continuation of whose dance experiments?
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Post-modern choreographers
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What is the underlying philosophy for the next wave artist?
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valid and acceptable to experience with dance in any way one desires
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What are some examples of new wave artists choreography?
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using buildings, dancing on mountains, etc
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What did Elizabeth Streb belive about music?
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that is was the enemy of dance, and that the sounds should be generated from the movements done by the body
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What are the interests of the post-moderns?
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improv, untrained performers, increased level of physical fitness, new environments, musical collage, spoken words, sounds and silence, new choices of subject matter
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What was the 50's like?
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Broadway musicals, WWII had ended, everyone believed that everything was going to be perfect
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What was the 60's like?
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civil rights movement, Vietnam war, woman's liberation movement
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Who were the Judson Church Choreographers?
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collection of NY choreographers who used trained and untrained dancers, performed in a de-sanctified church
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Who is Pilobolus?
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Athletes who created sculptural forms to be derived in more than one image
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Who is Meredith Monk?
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Is a multi-media artist; does EVERYTHING --> films, artist, choreography, script, writing; Turtle Dreams and Ellis Island
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Who is Bill T. Jones?
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known for energetic forceful movements, themes of racism and social injustice in society
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Who is known as the bad boy of modern dance?
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Mark Morris
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What is Mark Morris known for?
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his flare for storytelling, humor, jokes, gender jokes, white oak dance project with Mikhail Baryshnikov
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White Oak Dance Project
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school of ballet which encompasses everything from ballet to west African dance, flamenco, etc for all levels and ages
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who is Liz lerman?
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famous for dance exchange and multigenerational works, likes to dig deep, compares and contrasts
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What does training in many different styles produce?
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technically strong and versatile dancers
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Once the old enemy of modern dance, ______ is used in classes and _________ dancers join modern based companies
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ballet, ballet trained
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what is an example of pointe work that is not ballet?
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cirque de sole acrobatic team, Chinese swan lake
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Who were the earliest dancers/choreographers in the 20th century who crossed ballet and modern?
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Michel Fokine, Anna Pavlova, Vaslov Nijinsky
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Michel Fokine
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1st to do a ballet in one act, wanted one ballet to be different from the next, Les Sylphide
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Vaslov Nijinsky
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greatest male dancer of his time, did very shocking and innovative choreographic work
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Anna Pavlova
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best known female dancer of her time, traveled the world as a missionary for ballet dancing, was seen by Lincoln Kirstein
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What do the examples of Apollo and The Prodigal Son, two of ______ earliest ballets, tell us about his broad interests?
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George Ballanchine; abstract and narrative ballets
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What did Mr. B inculcate as the basis of his movement?
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musicality
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With what composer did Balanchine form a lifetime association with?
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Igor Stravinsky
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Where did Stravinsky start his career?
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Ballet Russe
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Who initially persuaded Balanchine to come to America? What was his answer?
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Lincoln Kirstein; said he needed a school first to do his ballets
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What are ballanchine dancer's known for?
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the fastest dancers in the world because a lot of their movements is based in 5th position and plie
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Where was Balanchine's childhood training at?
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Kirov School at the Mariinsky Theater in St. Petersburg, Russia
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What two dance genre's influenced Balanchine's exploration of movement and what style resulted? What is this style called?
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modern and jazz; neoclassical ballet
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Ballet of the Elephants
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choreographed by Balanchine and composed by Stravinsky, made for the Wringley Brothers for the Barnum and Bailey Circus
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What did Balanchine do that was different than some of his colleagues?
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he encouraged the talents of young choreographers in both ballet and modern from with and outside the company
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Who did Balanchine call his muse and Stradivarius?
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Suzanne Farrell
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When Balanchine passed, who was the NYCB directed by?
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Peter Martins --> former principal dancer and Jerome Robbins --> original member who choreographed equally successfully for ballet, Broadway, and films
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Who was the first African-American to become a principal male ballet dancer in a major ballet company?
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Arthur Mitchell
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Why did Arthur Mitchell leave NYCB at 35?
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he wanted to form a school in Harlem to give back to his community
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Where did the Arthur Mitchell company find its frist home?
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Gas station garage
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What accompaniment were for the first boy's ballet classes in the Arthur Miller company?
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drums, didn't have tights or ballet shoes, would wear gym clothes
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What Russian dancers defected to the west as a result of Balanchine's visits to his native land?
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Rudolf Nureyev and Mikhail Baryshnikov
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Who co founded the contemporary company, White Oak Dance with Mark Morris
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Mikhail Baryshnikov
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What American born brothers founded the San Francisco Ballet?
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Lou, Harold, and William Chritensen
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How did Agnes DeMille contribute to American ballet?
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with her ballet rodeo, she used American gestural language, did broadway based choreography --> Oklahoma
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Who is the choreographer who has successfully intertwined many dance forms of ballet, modern, Broadway, and film, moving from an iconoclastic to a more mainstream style?
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Twila Tharp
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What American ballet company has the identity as "the voice of young America in dance"?
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Joffrey Ballet
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Who founded the Joffrey Ballet? Where is it located?
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Robert Joffrey, Chicago
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What kinds of works for the repertoire of the Joffrey Ballet?
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Bourneville, Nijinsky, reconstruction of works (bands across stage film)
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Who was Maurice Bejart?
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French, added new vigor to classical dance
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Who was Pina Bausch?
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German, trained at Julliart, added body language, sexual warefare, and loneliness to dance
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What ballet was choreographed by both Bejart and Bausch?
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Sacre du Printemps (Rite of Spring)
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How are Bejart and Bausch similar in their choreography?
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both used powerful emotional content and sexuality in their gorgeous, almost overwhelming ballets
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Who is the artistic advisor and choreographer for the Nederlands Dans Theater?
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Jiri Kylian
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What does Kylian combine in his choreographer?
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modern and ballet
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NDT II and NDT III; What ballet?
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17-22; 40+; Road to the Stamping Ground
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What is Butoh?
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Japanese dance of darkness, shows us impalpable truths about ourselves, makes us look at things we don't want to look at, deals with human conditions (depravity, disease, death, starvation)
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Who was the first person to do the Butoh?
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Tatsumi Hijkata
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Garth Fagan
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After Before --> a piece about what happened with African movement after slavery, from the Islands
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Molissa Fenley
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choreographed solo to Rite of Spring
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Rite of Spring
choreographer, score, producer |
Nijinksy, Stravinski, Diaghelev by Ballet Russe
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Elizabeth Streb
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thought we ought to be able to fly; sets and costumes were in primary colors only
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Kylian
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explored the animal in us, explores how the body moves (movie with dancers jumping and slapping their bodies)
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