Chapter Seven: Light And Color

Front 1

Munsell selected the secondary colors for his primary colors based on _____ ______.

Back 1

simultaneous contrast

Front 2

The rules of atmospheric or aerial perspective were thought to be formulated by _____.

Back 2

Leonardo da Vinci

Front 3

By the nineteenth century, _____ perspective had come to dominate the thinking of landscape painters.

Back 3

aerial

Front 4

A color's brightness or dullness is called its _____.

Back 4

intensity or saturation

Front 5

The gradual transition from light to dark in a painting was referred to by Renaissance artists as _____.

Back 5

chiaroscuro

Front 6

Artemisia Gentileschi used _____, a painting technique that means "murky."

Back 6

tenebrism

Front 7

Using closely drawn parallel lines to create an area of shade is called _____.

Back 7

hatching

Front 8

Adding white to a hue creates a _____.

Back 8

tint

Front 9

When painting technique depicts the haze or humidity of the atmosphere in a scene, we call the overall effect _____ perspective.

Back 9

atmospheric or aerial

Front 10

On Newton's color wheel, colors that lie directly between a secondary color and a primary color are called _____.

Back 10

intermediate