These two chapters touch upon the relationships between lines and perspective, comparison of size, and emotional attributes of lines. For example, in the image to the left, Shoki the Demon Queller exhibits the dichotomy and complexity of lines that convey different meanings; the sword includes thin, precise lines to emphasize sharpness and strength, while the fuzzier and more distressed lines of his beard and hair give a sense of texture and physical sensation (Ch 2 Pg 25). Further, the image on the right also manipulates line quality to develop the overlapping attribute, which ultimately creates depth; there are also many lines of different qualities, such as how the hair looks fuzzy and soft, while the wall appears smooth and solid (Ch 6 Pg 101). These simple artworks become much more symbolic and interesting all thanks to the manipulation of
These two chapters touch upon the relationships between lines and perspective, comparison of size, and emotional attributes of lines. For example, in the image to the left, Shoki the Demon Queller exhibits the dichotomy and complexity of lines that convey different meanings; the sword includes thin, precise lines to emphasize sharpness and strength, while the fuzzier and more distressed lines of his beard and hair give a sense of texture and physical sensation (Ch 2 Pg 25). Further, the image on the right also manipulates line quality to develop the overlapping attribute, which ultimately creates depth; there are also many lines of different qualities, such as how the hair looks fuzzy and soft, while the wall appears smooth and solid (Ch 6 Pg 101). These simple artworks become much more symbolic and interesting all thanks to the manipulation of