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65 Cards in this Set
- Front
- Back
Calligraphy |
Greek, “beautiful writing.” Handwriting or penmanship, especially elegant writing as a decorative art |
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Codex |
separate pages of vellum bound together at one side; the predecessor of the modern book |
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Mihrab |
A semicircular niche set into the qibla wall of a mosque |
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Qibla |
The direction (toward Mecca) that Muslims face when praying |
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Sahn |
a courtyard in Islamic architecture. Most traditional mosques have a large central sahn, which is surrounded by a riwaq or arcade on all sides |
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Minaret |
a tower attached to a mosque from which the faithful are called to worship by a muezzin |
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Muezzin |
a man who calls Muslims to prayer from the minaret of a mosque |
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Muqarnas |
a form of architectural ornamented vaulting, the "geometric subdivision of a squinch, or cupola, or corbel, into a large number of miniature squinches, producing a sort of cellular structure", sometimes also called "honeycomb" vaults |
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Cloisonne |
A decorative metalwork technique employing cloisons; also, decorative brickwork in later Byzantine architecture |
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Interlace |
a decorative element in medieval art, bands or other motifs are interwoven |
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Vikings |
Pre-Christian pirates and traders of Scandinavia |
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Rune Stones |
raised stones, boulders, and bedrock with runic inscriptions for presenting a message -- from the Viking Age, used often as memorial stones for the dead, and found in and around Scandinavia |
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Picture Stones |
same use and origin as rune stones but with pictures for conveying the intended messages |
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Illuminated Manuscripts |
a luxurious handmade book painted with illustrations and decorations |
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Scriptoria |
the writing studio in a monastery |
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Monasteries |
a group of buildings on which monks live together, set apart from the secular community of a town. |
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Westwork |
the facade and towers at the western end (westwerk) of a medieval church, principally in Germany. IN contemporaneous documents, the west work is called a castellum. (lati. “castle” or “fortress”) or turris (“tower”) |
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Evangelists |
one of the four authors (Matthew, Mark, Luke, John) of the new testament Gospels. |
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Gospels |
the four New testament books that relate the life and teachings of jesus |
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Refectory |
the dining hall of a christian monastery |
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Feudalism |
the medieval political, social, and economic system held together by the relationship between landholding liege lords and the casals who were granted tenure of a portion of their land and in turn swore allegiance to the liege lord |
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Reliquary |
a container for holding relics |
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Tribune |
in church architecture, a gallery over the inner aisle flanking the nave |
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Cloister |
a monastery courtyard, usually with covered walks or ambulatories along its side |
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Campanile |
a bell tower of a church, usually, but not always, freestanding |
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William the Conqueror |
a norman Duke, believed by his people to be the rightful heir to Anglo-Saxon England, who took the kingship by force after the death of its king, Edward the Confessor. William sailed across the English Channel, invaded, and became master of Anglo-Saxon England |
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Gothic Style |
originally a derogatory term named after the goths, used to describe the history, culture, and art of western europe in the 12th to 14th centuries. Typically divided into periods designated early (1140-1194), high (1194-1300), and late (1300-1500) |
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Ribbed Vaults |
a vault in which the diagonal and transverse ribs compose a structural skeleton that partially supports the masonry web between them. |
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Flying Buttresses |
an exterior masonry structure that opposes the lateral thrust of an arch or a vault. a pier buttress is a solid mass of masonry. A flying buttress consists typically of an inclined member carried on an arch or a series or aches and a solid buttress to which it transmits lateral thrust. |
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Pointed (Ogival) Arch |
a narrow arch of pointed profile, in contrast to a semicircular arch |
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Guilds |
an association of merchants,craftspersons, or scholars in medieval and renaissance europe. |
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Saint Augustine |
confirmed the validity of a typological approach in which some of the Old Testament’s persons and events are prefigurations (suggestions ahead of time) to the New Testament, when he said, “the New Testament is hidden in the Old; the Old is clarified by the New” |
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Pinnacle |
a sharply pointed ornament capping the piers or flying buttresses; also used on cathedral facades |
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Flying Buttresses |
Masonry struts that transfer the thrust of the nave vaults across the roofs of the side aisles and ambulatory toa tall pier rising above the church’s exterior wall |
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Vaulting web |
the masonry blocks filling the area between the ribs of a groin vault |
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Diagonal rib |
in plan, one of the ribs forming the X of a groin vault |
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Transverse rib |
a rib crossing the nave or aisle at a 90 degree angle |
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Springing |
the lowest stone of an arch; in Gothic vaulting, the lowest stone of a diagonal or transverse rib |
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Clerestory |
the windows below the vaults in the nave elevations uppermost level. By using flying buttresses and rib vaults on pointed arches, Gothic architects could build huge clerestory windows and fill them with stained glass held in place by ornamental stonework called tracery |
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Oculus |
a small, round window |
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Lancet |
a tall, window crowned by a pointed arch |
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Triforium |
the story in the nave elevation consisting of archades, usually blind arcades but occasionally filled with stained glass. |
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Nave arcade |
the series of arches supported by piers separating the nave from the side aisles |
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Compound pier (cluster pier) with shafts (responds) |
a pier with a group, or cluster, of attached shafts, or responds, extending to the springing of the vaults |
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Tracery |
ornamental stonework for holding stained glass in place, characteristic of Gothic cathedrals. In plate tracery, the glass fills only the “ punched holes” in the heavy ornamental stonework. In bar tracery, the stained-glass windows fill almost the entire opening, and the stonework is unobtrusive |
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Scholasticism |
the gothic school of philosophy in which scholars applied Aristotle’s system of rational inquiry to the interpretation |
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Abbot Suger |
Right-hand of man of Louis VI and Louis VII, and abbot of Saint Denis for which he had the Carolingian basilica rebuilt. Called the colored light of stained glass windows lux nova |
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Pilgrimage |
a journey, especially a long one, made to some sacred place as an act of religious devotion |
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Crusades |
in medieval Europe, armed pilgrimages aimed at recapturing the Holy Land from the Muslims |
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Holy Roman Empire |
empire of the Salians, the Romanesque successors of the Ottonians and a dynasty of the Franks, roughly corresponding to present-day Germany and the Lombard region of northern Italy |
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Renaissance |
French, “rebirth.” Term used to describe the history, culture, and art of 14th through 16th century western Europe during which artists consciously revived the classical style |
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Dante |
Florentine poet, known for Divine Comedy |
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Tempera |
a technique of painting using pigment mixed with egg yolk, glue, or casein; also, the medium itself |
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Gesso |
Greek, “gypsum”, Latin “chalk”, used to smooth surfaces before painting [gesso grosso (rough gesso)], then with a series of layers of gesso sottile (finishing gesso) made with fine plaster slaked in water, which produced an opaque, white, reflective surface |
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Altarpiece |
a panel, painted or sculpted, situated above and behind an alter |
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Predella |
the narrow ledge on which an altarpiece rests on an alter |
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Fresco |
painting on lime plaster,either dry (dry fresco, or fresco secco) or wet (true, or buon, fresco) In the latter method, the pigment are mixed with water and become chemically bound to the freshly laid lime plaster. ALso, a painting executed in either method |
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Arriccio |
in fresco painting, the first layer of rough lime plaster applied to the wall |
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Intonaco |
in fresco painting, the last layer of smooth lime plaster applied to the wall; the painting layer |
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Giornata |
Italian, “day”, section of plaster that a fresco painter expects to complete in one session |
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Stigmata |
in Christian art, the wounds Christ received at his crucifixion that miraculously appear on the body of a saint |
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Triptych |
a three-paneled painting, ivory plaque, or altarpiece. Also, a small, portable shrine with hinged wings used for private devotion |
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Saint Francis of Assisi |
founder of the order of the Franciscans, known for helping the poor and vows of poverty, received the stigmata |
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Black Death |
bubonic plague, brought by fleas on rats from China in the 1340s, killed roughly half the population of Europe, stimulated religious bequests and commission of devotional images, affected art and stimulated construction of hospitals |
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Renaissance Humanism |
a code of civil conduct, theory of education, and a scholarly discipline; human values and interests as distinct from - but not opposed to - religion’s otherworldly values; emulation of classical cultures |