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79 Cards in this Set

  • Front
  • Back
  • 3rd side (hint)

Orientalizing Period

- About 700-600 BC


- Eastern influence came in


- Early pieces came from Crete


- In east the men were clothed,


women were naked


- Ivory was an eastern material,


began to be used


- Crete drops out

Archaic Period

- 600-480 BC


- Archaic smile


- More realistic looking


- No snail curls


- Lips slightly pressed into face,


chin and cheekbones respond to it


- Pupils slightly bulging, thin eyelids


- Musculature is more pronounced

Reasons for Archaic Style’s end

- Style became “tired” (Kouros becoming more humanlike and foundry vases are created)


- Greater confidence / command of subject
-Bronze-working industry

Severe Style / Early Classical Period

- 480 - 450

High Classical Period

- 450 - 400 BC

What is marble?

- It's like limestone but subjected to more heat and pressure


- Transportation was expensive


- It can be melted in a limekiln and used for stucco

Functions of Sculptures

- Funerary


- Honorary


- Votive


- Sculptures were religious until the Hellenistic


Period (used as votive offerings)

Temple uses

- Weren't made for worship


- Statues made them sacred



Statue basics

- Gods are larger than life


- Gods have accessories / attributes


- Humans had to be smaller than life size


- 3-Time Olympians could be shown in action

What art form came first?

- Vase painting


- 10 years later: relief sculpture


- Last: free-standing sculpture

Ethos

- Inner character


- Translated to the surface of a painting

-isms

- Idealism


- Naturalism


- Realism

Idealism

- Perfectly young and beautiful


- Not necessarily realistic

Naturalism

- Recognizable but not photographic


- Ex. of naked Donald Trump Statue

Realism

- As close to real as it can be / look

How to identify pieces

- Inscriptions


- Attributes


- Iconography

Kouros

- Left leg always forward


- Arms usually down at sides and holding a "rod"


- Naturalistic (never realistic)


- Always nude


- Very stylized bodies and hair

Myron

- He was one of the 3 greatest sculptors during the Early Classical Period


- His sculptures created "rythmas" (movement)

Polykleitos

- Known for the perfect male nude athlete


- One of the 3 greatest sculptors during the Early Classical Period

Pheidias

- One of the 3 greatest sculptors during the Early Classical Period

- Chiton


- Buttoned along the top except for hole forhead


- Cinched around the waist

- Peplos


- Folded over on top, held together on the side


- Cinched around the waist

- Architectural sculpture


- Archaic


- Triangular shaped structures


- Land = rock = problem


- Buildings can be dated by coins / pottery that fall into the foundations

- 760 - 750 BC (Geometric)


- Geometric articles


- One was buried in a grave - a gift

Front (Term)

- Dipylon ivory


- 730 BC

Front (Term)

- Mantiklos' Apollo


- 700-675 BC


- Inscription: Gives it as offering to Apollo, asks for something in return

- Nikandre ("Victory over man")


- 650 BC (Daedalic)


- Important inscription on skirt


- Naxion marble


- Votive offering


- Over life size = goddess


- Held attributes

- Misenion / Triglyph medope


- 620 BC (Daedalic)


- Woman in the window motif


- Normally cape would be hiding face but it's put down so face can be shown in art

- Sounion Kouros


- 600-580 BC (Archaic)


- Not Daedalic, hair behind shoulders


- Votive offering


- Would have had a 3-tier base


- Lost inscription

- Kleobis and Biton


- 580 BC


- Dedicated to Apollo at Delphi for their good deed in life

- Volomandra Kouros


- 570 BC (Archaic)


- Names after place it was found


- Looks more naturalistic


- Archaic smile

- Calf-bearer or Moskophoros


- 560 BC


- Votive

- About 550 BC


- Would've been on a treasury / iconic building


- Heracles in the center


- Hydra = swamp / water monster with 100 heads


- To defeat her: Heracles hits heads off with a club and his friend cauterizes them so they can't grow back

- The pediment of the Apotheosis


- About 550 BC


- Seated deity in the center: Zeus


- Heracles wearing lion skin hat

Front (Term)

- Amassis Painter or Vase of Maenads and Dionysus


- 550 BC


- Attempts to show two people with arms around each other like Dermys and Kitylos

Front (Term)

- Melos Kouros


- 550 BC



- Naxion marble


- 7 feet tall


- Funerary


- Slender body, archaic smile, snail curls

Front (Term)

- Diskophoros stele


- 550 BC


- Name means disk carrier


- Archaic smile, frontal eye


- Part of a larger gravestone


- Used as a filler for the Themistoclean (?) wall

- Archermos' Nike


- About 550 BC


- From Delos


- Knielauf: running with a bended knee


- Crown of bronze


- Traces of wings, could also be Artemis but Artemis typically isn't winged and running at the same time

- Phrasikleia and her brother


- Haven't been officially dated but after 550 BC based on knees/torso


- Different sculptors but found buried together


- Buried to protect them from the Persians


- Funerary


- Phrasikleia's base already in the museum before they were found


- She is dressed elaborately as if for a wedding, married to Hades

- Lyon Kore


- 550-540 BC (AM date)


- Upper part is a cast, original is in the Louvre


- She isn't a karyatid


- Butt is very masculine, breasts are an odd size and shape


- Holding a bird offering and wearing a cap with palmettes

- NM Grave Stele


- 550 - 540 BC


- Very Archaic


- Big eye


- Slight smile


- Ringlet hair

- Brother from Brother and Sister pair


- Around 540 BC


- Archaic smile


- Round curls framing face


- Flat forehead

- Sister from Brother and Sister pair


- Phrasikleia


- Around 540 BC



- Dressed up as if for a wedding (dress was painted with details)


- Wore a crown of closed lotus blossoms (symbol of death?)


- Oversize statue of Dionysus


- 540 - 530 BC


- Argued that pieces don't go together


- Back of head is flat which points to as mask

- Hoplite Runner Stele


- 500 BC (NM), 540-530 BC (Anne)

- Kroisos (after eastern king of Lidias) or Anavissos Kouros (after where he was found)


- 530 BC (Archaic)


- Attic trait: big / bulky butts and small waist


- Excavated illegally and broken


- More natural belly button


- No poles in hands


- Wearing a cap for unknown reason


- Unmarried when he died because shown as a young kouros


- Funerary: inscription tells you to stop and mourn at soldier's tomb and that he died in battle

- Peplos Kore


- 530 BC (Archaic)


- Wearing a chiton underneath, a wreath and earrings


- Archaic: protruding chin, bulging eyes, smile, high cheekbones


- Line of animals painted down skirt

- Kore 682, students call her the cat-eye Kore


- 530 BC (AM date)


- Has a bronze piece in her head that would have been used to hold mniskos/umbrella

- Aristocles' Aristion


- 530 BC


- Grave stele


- Wearing breast plate, chiton, shin guards, and abbreviated helmet


- Bare feet = subtle way to heronize

Front (Term)

- Antenor Kore


- 530-520 BC


- Sculpted by Antenor who was patronized by the Alkmaionids

Front (Term)

- Seated Athena


- 520-510 BC


- Found on north side of the Acropolis, survived Persian burning


- Wearing an aegis and chiton


- May have been made by Endoios

- Chiote Kore


- 510 (AM) or even closer to 525-520 BC (Anne)


- Archaic


- Beautiful hair, bulging eyes, thin eyelids


- Similar to the Nike in the NM, father probably carved Nike and son carved Kore

- Ballplayers base


- 510 BC (Archaic)


- In low relief carved into the back of a stele


- Trying to work out movement


- Attempting to foreshorten


- Sculptors practiced on reliefs

- Dismantled pediments


- Dismantled around 510 BC (Archaic)


- Pieces are still being found


- Lots of paint left - lasts longer on limestone than on marble


- Dismantled during transition from tyranny to democracy

- Aristodikos


- 510 BC (Late Archaic)


- Transitioning into Early Classical style


- Funerary


- Short hair, sumptuary laws made everyone equal under the law and long hair was a sign of wealth


- Arms are moved out and have struts for support


- Wearing penis ring for unknown reason

Front (Term)

- La Delicata or Kore with "Almond-Shaped Eyes"


- 510 or even closer to 500 BC


- Softer face, more feminine


- Drapery is less elaborate


- Not smiling, recessed eyes, thicker eyelids


- Still Archaic though

- Kore 594


- 500 BC


- Classic example of how most korai wear their chiton and himation


- Butt and legs are still fairly masculine but would have been up against a wall

Front (Term)

- Nike atop a column


- 490 BC


- Dedicated for someone's son who died


- Less extreme knielauf


- Experienced sculptor, drapery broke on the bias which matches the sculpted line instead of being horizontal

- Dermes and Kitylos


- Hard to date but Daedalic, late 6th or early 5th century


- Artist didn't know how to carve arms around the shoulders


- Not kouroi

- Kerameikos-Dibpalon cemetery


- Used for fill in Themistoclean wall in 480 BC


- Front chopped off to be hidden in the ground from the Persians


- Medusa in knielauf position (bend in knee / running)


- Sphinx on top

- Kritios boy


- 480 BC


- Right leg coming forward, hips respond


- Hair is long but wrapped around head

- Euthydikos Kore


- 480 BC


- Euthydikos dedicated it


- Mouth is a pout, heavy jaw, becoming more simplified as Classical period draws nearer


- Legs don't seem to match torso

- Angelitos Athena


- 480 BC


- Chitón drops out of Athena's iconography in 480 and later sculptures show her wearing a peplos with a blouse underneath

Front (Term)

- Blond boy


- 480 BC

Front (Term)

- Riacci A


- 470 BC


- Found on the ocean floor, but not part of a shipwreck

- Melos Disc


- 470 - 460 BC


- Purpose unknown: only circular piece until the roman period


- Eye moving from frontal to profile


- Votive offering


- Could be Aphrodite

Front (Term)

- Pensive or Mourning Athena


- 470-460 BC


- Severe style


- Hair and drapery painted, helmet tipped back, wearing a peplos

Front (Term)

- West pediment of the temple of Temple of Zeus at Olympia


- 470-457 BC


- Dynamic figures, centaurs kidnapping women

- Unfinished crater, Roman copy


- 460 - 450 BC


- Original ould've been done by Myron


- This shows first stage of a myth that is continued on two other pieces

- Zeus, not Posiden (because trident doesn't fit the scenario/his hand and lightnight bolt does)


- 450 BC


- On edge of Severe Style and High Classical


- Arms out in bronze like marble couldn't do until much later


- Inlaid eyes, silver eyelashes


- Arms are


long

- Diskobolos by Myron


- 450 – 440


- Myron’s favorite piece


- Originally made in bronze


- Body makes eye move around the piece

- All have attributes (bird, water, grain / torch)


- Beards look like they're from the east


- One set of wings for all three of them


- Bird represents the people of the mountains

- Another pediment


- Missing other lion and bull


- A lot of reconstruction


- Gender? Has a mane and teets

- Omphalos (?)


- Very good Roman copy (no need for stability behind leg)


- Omphalos means belly button and its a type of stone: refers to myth of Kronos eating children until he's tricked into eating a stone


- Every man strove to have a "perfect" body like Apollo, so they sculpted them too

Front (Term)

- Leukandi centaur


- 900-850 BC


- Centaurs originally depicted with human front legs


- Single gash in front leg to indicate it is Cheiron (the good centaur)

Front (Term)

- Auxerre Kore


- 640 BC


- Proportions make her look taller, only .65 m tall

Front (Term)

- Egyptian statue


- 2800 BC


- Sculpted on a grid

Front (Term)

- Heracles and Netos


- 650-640 BC

Front (Term)

- New York Kouros


- 600-580 BC


- Only known Kouros sculpted on Egyptian grid


- From the same workshop as the Sounion Kouros