Hurston first portrays Janie as a passive victim of abuse, always following her husband, Joe Starks, demands. When Joe dies, his dominating role in Janie’s life also dies allowing her to be herself, “The young girl was gone, but a handsome woman had taken her place. She tore off her kerchief from her head and let down her plentiful hair. The weight, the length, the glory was there,” (87). Janie’s hair symbolizes her potential for improving her lifestyle. During her marriage with Joe, her voice is diminished and her actions are controlled, which are represented by her always tied up hair. The let down of her hair indicates that she is free from her toxic relationship with Joe and society’s norms. Furthermore, the repetition of “the” enhances the significance in the reader’s visualization of this moment. Janie’s transformation from a submissive woman to an independent woman suggests that an African American woman can go against society’s standards to gain
Hurston first portrays Janie as a passive victim of abuse, always following her husband, Joe Starks, demands. When Joe dies, his dominating role in Janie’s life also dies allowing her to be herself, “The young girl was gone, but a handsome woman had taken her place. She tore off her kerchief from her head and let down her plentiful hair. The weight, the length, the glory was there,” (87). Janie’s hair symbolizes her potential for improving her lifestyle. During her marriage with Joe, her voice is diminished and her actions are controlled, which are represented by her always tied up hair. The let down of her hair indicates that she is free from her toxic relationship with Joe and society’s norms. Furthermore, the repetition of “the” enhances the significance in the reader’s visualization of this moment. Janie’s transformation from a submissive woman to an independent woman suggests that an African American woman can go against society’s standards to gain