All five figures recall four of his past works. The two bather on the left reminiscence Diana (1867); the swimming midground figure and landscape, Nude in the Sunlight (1876); the central foreground nude, Blond Bather (1881); and the left foreground nude and midground standing nude, Bather Arranging Her Hair (1885). The landscape takes after Impressionism, which is important to note because it indicates that although he was trying out new styles and themes as well as experimenting with new mediums, he would somewhat still remain loyal to Impressionism. Impressionism would not be something that he will completely successfully separate himself from as he continued on in his career. Renoir used nineteen preparatory studies in the creation of The Bathers; this suggested that he struggled with the posture, form and technique of the
All five figures recall four of his past works. The two bather on the left reminiscence Diana (1867); the swimming midground figure and landscape, Nude in the Sunlight (1876); the central foreground nude, Blond Bather (1881); and the left foreground nude and midground standing nude, Bather Arranging Her Hair (1885). The landscape takes after Impressionism, which is important to note because it indicates that although he was trying out new styles and themes as well as experimenting with new mediums, he would somewhat still remain loyal to Impressionism. Impressionism would not be something that he will completely successfully separate himself from as he continued on in his career. Renoir used nineteen preparatory studies in the creation of The Bathers; this suggested that he struggled with the posture, form and technique of the