Aemilia, namely, is dissuaded by Adriana resisting patriarchy. When Adriana tells Aemelia that she rebuked Antipholus of Ephesus for his infidelity, Aemelia scolds her for it. She says, “The venom clamors of a jealous woman / Poisons more deadly than a mad dog’s tooth…In food, in sport, and life-preserving rest / To be disturbed, would mad or man or beast. / The consequence is, then, thy jealous fits / Have scared thy husband from the use of wits,” essentially trivializing her discontent with her husband cheating on her as just jealousy. On the contrary, Luciana is influenced by Adriana’s resistance to patriarchy. Throughout the play, Luciana contends that if Adriana wants to be happy and wants to have a happy marriage, then she as a woman should stay subservient. However, when Aemelia reproaches Adriana, it is Luciana who comes to her defense, telling Aemelia, “She never reprehended him but mildly / When he demeaned himself rough, rude, and wildly.— / (to ADRIANA) Why bear you these rebukes and answer not?” Luciana recognized that Adriana was not at fault for her husband’s wrongdoings rather than blaming her for it as the patriarchy would dictate. In another instance, Luciana herself seems to contradict her own perspective on marriage in practice, as when Antipholus of Syracuse (whom she thought was Antipholus of Ephesus) asks her to marry him, Luciana is swift to rebuff his proposal, reminding him, “And may it be that you have quite forgot / A husband’s office?” Unlike what she had previously said about being patient if her husband was unfaithful (“Till he come home again, I would forbear.”), Luciana here resists this patriarchal, misogynistic belief, having
Aemilia, namely, is dissuaded by Adriana resisting patriarchy. When Adriana tells Aemelia that she rebuked Antipholus of Ephesus for his infidelity, Aemelia scolds her for it. She says, “The venom clamors of a jealous woman / Poisons more deadly than a mad dog’s tooth…In food, in sport, and life-preserving rest / To be disturbed, would mad or man or beast. / The consequence is, then, thy jealous fits / Have scared thy husband from the use of wits,” essentially trivializing her discontent with her husband cheating on her as just jealousy. On the contrary, Luciana is influenced by Adriana’s resistance to patriarchy. Throughout the play, Luciana contends that if Adriana wants to be happy and wants to have a happy marriage, then she as a woman should stay subservient. However, when Aemelia reproaches Adriana, it is Luciana who comes to her defense, telling Aemelia, “She never reprehended him but mildly / When he demeaned himself rough, rude, and wildly.— / (to ADRIANA) Why bear you these rebukes and answer not?” Luciana recognized that Adriana was not at fault for her husband’s wrongdoings rather than blaming her for it as the patriarchy would dictate. In another instance, Luciana herself seems to contradict her own perspective on marriage in practice, as when Antipholus of Syracuse (whom she thought was Antipholus of Ephesus) asks her to marry him, Luciana is swift to rebuff his proposal, reminding him, “And may it be that you have quite forgot / A husband’s office?” Unlike what she had previously said about being patient if her husband was unfaithful (“Till he come home again, I would forbear.”), Luciana here resists this patriarchal, misogynistic belief, having