Adaptation Of Lady Macbeth In The Scottish Play

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Lady Macbeth

In The Scottish Play no other character is portrayed with such deviation and alteration of a feminist view, such as Lady Macbeth, William Shakespeare’s casting of such an abnormal, creation of characterisation opens up the darkest, deepest secrets of a power lusting women, starting in Act 1 Scene 5, Lady Macbeth’s cravings for godly power is unleashed when she is shown to have opened up her chamber to a different dimension of an abnormal self where she is seen as an manipulating, destructive obliteration of the normal, controlled 1600’s ‘woman’.

In William Shakespeare’s original Macbeth (the play) after Act 1 Scene 5 Lady Macbeth is set out to make the paranormal witches predictions be set in stone, this is supported when Lady Macbeths states she will, “pour my spirits in thine ear”, this is stating that she is going to poison Macbeth’s mind with her thoughts and change him, this is because she feels that that he
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Furthermore she continues to mock Joe by saying how he must be ‘humiliated in the position you’re (he’s) in’, this is the final straw and Joe grabs her by the neck, because of Ella having rational behaviour with Joe she initiates her deceiving plan by using seductive, sexual interactions to weaken Joe’s barriers by affection, Ella’s technique of manipulation is different to the play as she uses her femininity to get what she

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