Film Analysis - Blade Runner Essay

1602 Words Nov 11th, 2012 7 Pages

FILM CHOSEN: Blade Runner (1982)
EXTRACT: INT – Sebastian’s Building, starting with the shot of Deckard climbing up the wall. Duration: 9 minutes (Chapter 30, Blade Runner: The Final Cut, 2007)

The following essay will be a close analysis of an extract from the 1982 film Blade Runner, which was directed by Ridley Scott. Blade Runner is a science-fiction film based on the book ‘Do Androids Dream of Electric Sheep’ which was written by Phillip K. Dick. This essay will also explore how Ridley Scott’s use of mise en scene and editing in Blade Runner can exhibit him as an auteur. An ‘auteur’ is known as the ‘author’ of the film; a director that uses recognisable
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This helps to establish a bleak, industrialised future, a one in which there are little humans on earth in Blade Runner, similar to Alien which can help to describe Ridley Scott as an auteur.
Ridley Scott can also be defined as an auteur for his use of strong and determined protagonists, especially in Blade Runner and Alien. In this scene extract, Deckard can be seen as a strong protagonist due to his determination to ‘retire’ Roy. This scene however, also shows the audience the similarities between Roy and Deckard. The cross cutting editing used at the start of the scene when both characters are dealing with their similar hand injuries helps to show the similarity between Roy and Deckard as they are both dealing with the same sort of pain. Deckard in this scene seems very determined to retire Roy, however when Roy does die, the audience seem to get the feeling that Deckard seems sad about this. The editing in this extract is quite slow at first, using long shots before cutting helping to create a slow pace to the scene. The extract then changes pace however, when Roy is ‘hunting’ Deckard, the editing becomes quite fast and rapid making it exciting for the audience to watch. The shot when Roy smashes his head through the wall helps to show the slow pace turning fast. The way the editing is quite slow and then there is a jolt – the point where Roy smashes his head through the wall – the editing then speeds up a little after this shot,

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