Concern for the poor Lazarus’s is driven, this is to say, by a concern for the eternal belonging of one’s soul, for the failure to care for the poor, in Chrysostom’s view, is nothing less that failure to care for reward and punishment. His description of the world as a theater and human inequalities as merely masks, for instance, clarifies the performative role of virtue and vice as the audition for eternity. Death, in this picture, marks the threshold which unmasks human life, laying bare who is truly rich and who is truly poor (47). Additionally, Chrysostom argues that the rich man’s mistake in the parable is thinking measuring the value of virtue in the gains in can attain for this world. By this criteria, which is demonstrated in the virtuous poor, virtue attracts no appeal. His mistake, of course, is his inability to attach virtue to a picture of eternal rewards
Concern for the poor Lazarus’s is driven, this is to say, by a concern for the eternal belonging of one’s soul, for the failure to care for the poor, in Chrysostom’s view, is nothing less that failure to care for reward and punishment. His description of the world as a theater and human inequalities as merely masks, for instance, clarifies the performative role of virtue and vice as the audition for eternity. Death, in this picture, marks the threshold which unmasks human life, laying bare who is truly rich and who is truly poor (47). Additionally, Chrysostom argues that the rich man’s mistake in the parable is thinking measuring the value of virtue in the gains in can attain for this world. By this criteria, which is demonstrated in the virtuous poor, virtue attracts no appeal. His mistake, of course, is his inability to attach virtue to a picture of eternal rewards