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13 Cards in this Set

  • Front
  • Back

Trinity


Masaccio 1425,S.M. Novella, Florence


-Early Renaissance(Florence)

-linear perspective because Mary and John facing up towards the holy trinity


-This is a fresco


-The architecture on the ceiling is inspired from ancient Greek and roman

Brunelleschi


Florence Cathedral Dome 1420-36


-Early Renaissance(Florence)

-Double shell so it won't fall.


-skeletal like structure underneath to hold the dome together

Lamentation


-Giotto, 1305


-Gothic transition

-Linear perspective because everyone one is looking down at Jesus. And the rocky hill also draws our our to jesus


-expresses naturalism because Giotto paint figures with their backs turn.


Arrest of Christ


Giotto, 1305


Gothic transition

Sense of chaos because of how the weapons in the air are not held orderly


-also uses linear perspective because the weapons make up a line pointing to jesus and judas

Madonna enthroned


Giotto, 1310


Gothic transition

Figures in the painting are not stacked on each other.


Instead the are more naturally positioned

Christ Entering Jerusalem(maestas alterpiece)


-Duccio, 1309


-Gothic transition

Jesus is larger than the other figures


- all the element in this painting of this moment are in the gospels

Virgin and Child Enthroned with Saints


Duccio, 1309


Gothic transition

Mary is the largest figure


Duccio used churoscuro

Tribute money


Masaccio, 1424


Early Italian renaissance

Uses continuous narrative.


One part show Peter at the lake fishing like jesus instructed to and another part show Peter paying the tax collector

Virgin of the Rocks


Da Vinvi, 1485


High Renaissance

Painting lines up in a triangle


Jesus is identify as the baby holding up 3 fingers, not the one with Mary's arm around

School of Athens


Raphael, 1509


High Renaissance

Plato is identified by him pointing up because he was intrested in the theoretical. Aristotle is identified with his hand down because he was intrested in the observable and physical realm of earth

Venus of Urbino


Titian, 1536


Venetian Renaissance

Uses colorito


Dog is represented in the painting as a symbol of fidelity

Venus of Urbino


Titian, 1536


Venetian Renaissance

Uses colorito


Dog is represented in the painting as a symbol of fidelity

Dürer


The four apostles


1526


Reformation North Europe

Was made to represent the protestant reformation.


The saints in the foreground John and paul were important in the reformation