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46 Cards in this Set
- Front
- Back
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Baroque |
refersto an irregurally shaped egg; describes their compositionsMomentof action, asymmetrical compositions |
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louis xiv |
dies 1715. pompous guy who locked people into the castle sun king |
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absolutism |
absolute control |
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aristocracy |
a form of government in which power is held by the nobility. |
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french academy |
the school where they teach art toeducate the public through art so France can stay on top |
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charles Lebrun |
LouisXVI named him Directtor of AcademyCreatedthe concrete idea of a hierarchyVoiceof academy established style we recognize today |
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the salon |
Annual exhibition the French held2salons at each end of the Hall: the salon of war and peaceAmbassadorswould be sent to either or depending on which side of the spectrumtheir country fell. Kind of political |
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the grand manner |
Subject Matter (must be historic) Thought- put understand into illustration Structure- composition, make sure public can get it Style- veer away from any individuality as much as possible so can’t tell one artist work from another |
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hierarchy of genres |
-History painting-coronation, religion, war etc shows man at their very best -Portraiture-just copying -Genre/’low-life subjects’ usually of peasants everyday life
-Animal - Landscape
-Nature -mort (still life) |
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Boucher Diana After the Hunt 1738 |
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Triumph ofVenus (Boucher)
C. 1743 101cmX87cm Companion pieces Titles meaningless just Venus being Venus Vey stylized dolphins artificial Merpeople people of the sea her followers |
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The Gracious Shepherd (Boucher) 1736 |
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The Odalisque (Boucher) 1740 |
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Nattier Portrait of Mme. Pompador as Diana De la Tour Mme. 1758 |
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Seated Cupid 1757 |
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Boffrand:Hotel du Soubise |
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Fete Goulant: Fete Venitienne Watteau Le Mezzetin Gilles |
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The Island of Cythera L’Enseigne de Garsaint |
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Chardin La Raie Returning from Market |
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Fragonard:TheSee-Saw |
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fragonard The Bathers |
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fragonard The Progress of Love: Meeting |
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william Hogarth: The Harlots Progress |
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Self Portrait |
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The Strode Family Hogarth |
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the swwing? |
fragonard |
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The Rakes Progress |
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Royal Academy of Art |
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London doesnt cost money |
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The Analysis of Beauty |
Hogarth's book on his perception of beauty. |
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Modern MoralSubjects |
hogarth type of painting which satirizes the manners and morals of the period in which he lived. |
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Conversation Pieces |
a type of genre painting in which a group of figures are posed in a landscape or domestic setting, popular especially in the 18th century. |
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Locus uberimus |
rich and fertile |
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Locus amoenus |
Love that is frustrated |
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Louis XV |
shy, quiet, has illegitimate children |
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Arcadia |
came to represent golden age, beautiful full of yearning/occasional regret, place of excitement |
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Otium |
ease, languid, still, relaxed |
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fête galante |
an outdoor entertainment or rural festival, especially as depicted in 18th-century French painting |
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Commedia del arte |
is a form of theatre characterized by masked "types" which began in Italy in the 16th century and was responsible for the advent of actresses
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RamseySelf Portrait |
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ReynoldsViscount |
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The Montgomery Sisters |
KebbelThe Montgomery Sisters |
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KebbelMrs Siddons as the Tragic Muse |
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GainsboroughThe Morning Walke |
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ZoffanyMembers of the Royal Academy |
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Blue Boy Gainsborough |
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Mrs. Siddons Gainsborough |
