Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
23 Cards in this Set
- Front
- Back
antagonist |
a character who stands in direct opposition to the protagonist, both restricting and inciting action |
|
anti-hero |
the protagonist of a modern story, who, having both good and bad features, deviates from the model of virtue we usually find in the popular hero |
|
conflict |
the struggle that grows from the interplay of two opposing forces |
|
Eros |
The god of Love who represents the self sustaining drive in humans, as opposed to the self destructive one. |
|
Foreshadowing |
the use of incidents, character, tone, imagery dialogue and symbolism to suggest what lies ahead in the story |
|
Irony |
An expression in art wherein the actual intent is expressed in words or gestures which carry a different or opposite meaning |
|
Metadrama |
a story which takes it's own dramatic processes as a thematic issue |
|
Motif |
the underlying pattern of repetition (or opposition) in a story. Recurring images, words, phrases, objects, or actions that unify a story and give it meaning are motifs |
|
Protagonist |
The chief character in literature or film |
|
symbol |
On the most literal level, a symbol is something which is itself and yet stands for something more. |
|
setting |
a story's location is time and space as well as climate |
|
analysis |
breaking something down into its parts or functions in order to learn how they make up the whole |
|
archetype |
a literary symbol, motif, image, character ect.., which tends to elicit a common response from people of widely separate time and space |
|
epiphany |
this term designates a moment when the essential nature of something is suddenly perceived |
|
epistemology |
a branch of philosophy that investigates the origin, nature, methods and limits of human knowledge |
|
Gothic Story |
a from of writing in which magic, mystery and horror are central to the plot |
|
peripeteia |
A change in fortune experienced by the protagonist from good to bad, bad to worse, or bad to good |
|
pluralism |
a term applied to a philosophical belief that there is no single set of truths or laws. This attitude gives validity to the perception of each unique mind |
|
satire |
Criticism of vice and folly typically aimed at human institutions; it is designed to inspire change |
|
theme |
a generalization about human life that can be drawn from the conflict and resolution in a story. |
|
Tragedy |
According to Voltaire. "tragedy is a pattern in which theory is destroyed by fact." |
|
Catharsis |
This is when the appropriate representation of an "action" arouses fear and pity, enabling the audience to experience a release of those emotions |
|
Verneinung |
This german term meaning "denial." Sigmund Freud used this term to denote a phenomenon of consciousness wherein truth is derived from a person's excessive protestations to the opposite |