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17 Cards in this Set
- Front
- Back
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Pick Up C: 13; C + R throughout; strong backbeats w/clapsV: 13 C: 12 Guitar Solo: 36 - 12: blues notes; 12: vocal improv;12 V: 12 1/2 C: 12 T: 1 |
Hound Dog by Big Mama Thornton |
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Pickup C: 12: riff; C + R between voice + guitar V: 12: riff C 12: riff; same C + RGuitar Solo: 12: “aah” back-up V: 12Guitar Solo: 12: “aah” V: 12 C: 12 T: 1 Clap riff: 1 + 2 + 3 + 4 + x x x x Bass riff: 1 + 2 + 3 + 4 + x x------x |
Hound Dog by Elvis Presley |
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Pickup: “wet” hi-hat I: 4 A: 12: clap riff: 8; 4: ref A: 12: clap riff: 8; 4: ref B: 11: reduced tension “dry” hi-hat: 8; 3: spun-out A: 12: clap riff: 8; 4: ref B: 11: reduced tension “dry” hi-hat: 8; 3: spun-outA: 12: clap riff: 8; 4: ref T: 3 |
I Want to Hold Your Hand by the Beatles |
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I: 3 V: 27: 23; 4: ref. Solo: 7: harmonica V: 26: 22; 4: ref. Solo: 11 V: 26: 22; 4: ref. Solo: 6 V: 26: 22; 4 Solo: 17 V: 26: 22; 4 Solo/Fade: 8+ |
The Times They Are a Changing by Bob Dylan • 3/4 time signature |
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I: 4: 2: “baion rhythm”; 2: harmony V: 16: 8; 8: horns in background, vocals “ooh” C: 8: strings + vocals; C + R in between lead and back up vocals V: 16: 8 “ooh”; 8: aah C: 8 Strings: 8: “Euro strings” C: 8: strings with counter melody Drums: 2: “baion rhythm” C/F: 14+: strong snare backbeat, drum fills |
Be My Baby by the Ronettes |
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Organ : build-up I: 8: 4; 4: high vibes, low-end bass ||:V: 16: 12; 4: ref. “think it over”, C + R C:||: 12: 8; 4: ref., no C + RV: 8 C/F: 8+ |
Stop by the Supremes |
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I: 8: 4: guitar solo, backbeat in percussion; 4: brass, bass, etc. V: 8: brass background C: 8: vocals, brass, guitar, C + R V: 8: “brass shots” (they miss one shot) C: 8: “play it Steve” V: 8: “listen now”, brass shots C: 8: back beat Bridge: 9: 5; 4: intro C/F: 8 |
Soul Man by Sam & Dave |
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I 4 A 10: “I read” A 9: similar, drum fills A 9 B 10: “love to...”, crescendo, orchestra, synthesizer, traffic Cut Time I 4 A 10 A 9 First Tempo C 10: “dream” A 9 B 10: “love to” |
A Day in the Life by the Beatles |
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I 8 V 22: 8; 14: bells, organ, refrain (“baby you were born to run”) Br. 8 V 22: 8; 14 Br. 8 Sax Solo 12: tenor Br. 16: state fair Gtr. Solo 12 V 30: 8; 14; 8 T 17 |
Born to Run by Bruce Springsteen |
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I 8: 4: 2: drums; 2: guitar; 4: bass V 16: 8; 8: repeated Br. 4: 2; 2: drum break C 16: 8: syncopated; 8: guitar drops out Br. 2 V 16: 8; 8 Br. 4: 2; 2: drum break C 16: 8; 8: guitar drops out L/F 17+ |
Rock and Roll All Night by Kiss |
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Pickup I 16: 8: 4: percussion, vibes; 4; 8: 4: horns; 4: horns A 16: flute, strings B 10: 6: flugel horn, lush; 4 A 21: 9: strings, busy; 8: beginning; 4 A 16: 8; 8 B 10: 6: flugel horn; 4 A/F 16 |
Hustle by Van McCoy |
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I 12: 4: hi-hat; 8 A 8: C + R A 8 B 8 A 8: cymbal (contrast) A 8: hi hat A 8 B 8 A 8: cymbal Guitar Solo 9: simple A 8 C 8: “no future” C 8 C 8 T 2 |
God Save the Queen by the Sex Pistols |
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I 6 A 11 C 10: “love” Br. 4 A 12: “good” B 8: “nice” A 11: “frightened” C 5: “love” Organ Solo 20 A 11: “foolin’” C/F 20+ |
You Need Love by Muddy Waters |
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I 4: 2: guitar; 2: bass A 13: 8: “coolin”; 5: ref., “woman”, drums, C + R btwn vocal and gtr. A 14: 8: “learnin”; 6: ref. Solos 38 Gtr. Solo 6: stop time A 15: 11: “coolin’”; 4: ref. Vocal Cadenza “way down inside” T/F 23+ |
Whole Lotta Love by Led Zeppelin |
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I 10: 1: bass; 1: hi-hat; 3: drums, gtr.; 4 V 8 C 8 V 8 C 8 Gtr. Solo 4: modal “Scottish” Br. 4 V 8 C 8 Gtr. Solo 4: modal C 8 T 2 |
Runnin’ with the Devil by Van Halen |
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I 6 chords-out of time 16: 8: drum machine, descending synth.; 8: 4: gtr. 1; 4: gtr. 2 V 16: 8; 8: repeated C 8: C + R (vocals) Br. 4 V 16: 8; 8 C 8 C 8 Br. to Solo 16: 8; 8: gtr. riff Gtr. Solo 16: Eddie Van Halen C 8 C 8 C 8 C/F 8+ |
Michael Jackson’s Beat It |
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I out of time, organ 28: 12: drum backbeat; 8: gtr. riff; 8: C + R, organ, gtr./bass V 16: C + R between voice and guitar Br. 4 C 8 Organ Solo 8 V 16: 8; 8: C + R in background vocals Br. 4 C 8 Br. 8 Gtr. Solo 16 Br. 4 C 8 C1 24: 8; 8: organ; 8: gtr. Guitar Cadenza (rock) T 2 (slow) |
Let’s Go Crazy by Prince |
