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16 Cards in this Set
- Front
- Back
Our Delight 1950
|
Dizzy Gellespie
-trumpet -plays trumpet in high register |
|
Epistrophy 1948
|
thelonius monk
-irregular accents -many long silences |
|
have you met miss jones 1954
|
Tal Farlow
-form is aaba -uses chord anticipation |
|
Move 1949
|
Miles Davis
-smooth melody -emphasis on arrangement |
|
Straight No Chaser 1958
|
Miles Davis
-written in blues -12 bars that repeat |
|
So What 1959
|
Miles Davis
-modal jazz -few chord changes |
|
Nefertiti 1967
|
Miles Davis
-melody only -bass and drums shine |
|
Equinox 1960
|
John Coltrane
-blues form -6 bar latin introduction |
|
Countdown 1959
|
John Coltrane
-very hard to solo on -substitutions on origial jazz chord progressions |
|
Afro Blue 1963
|
John Coltrane
-piano cross rythm -jazz waltz |
|
Venus 1967
|
John Coltrane
-free jazz -bells theme |
|
Seven Come Eleven 1940
|
Charlie Christian
-first to play electric guitar in a solo -extended jazz harmonies |
|
Moonlight in Vermont 1952
|
Johnny Smith
-worked with steve getz -uses incredibly stretched voicings |
|
Airegin 1960
|
Wes Montgomery
-played with his thumb -hard bop |
|
Cherokee 1973
|
Joe pass
-same chords as KOKO -guitar plays solo and melody |
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1 nite stand 1991
|
John McLaughlin
-wacky blues -guitar synthesizer |