Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
36 Cards in this Set
- Front
- Back
tone cluster
|
adjacent notes played simultaneously
|
|
Charles Ives (biography)
|
- born in Danbury, CT; father = bandmaster
- church organist by 13, later choirmaster - majored in music at Yale, graduated w/D+ average - sold insurance, composed at night |
|
Ives' 5 innovations
|
1) quarter-tone music
2) polytonality/atonality 3) tone clusters 4) polymeters/polyrhythms 5) 12-tone melodies |
|
Where did Ives get his melodies?
|
1) American folk songs
2) Stephen Foster songs 3) contemporary pop songs, including ragtime 4) hymn tunes 5) patriotic music |
|
Ives' compositions
|
"Songs My Mother Taught Me"
"Tom Sails Away" "Three Places in New England" "Holiday Symphony" |
|
Aaron Copland
|
- started comp career in jazzy expressionism; dabbled in 12-tone
- 3 ballets: "Rodeo," "Billy the Kid," "Appalachian Spring" - also composed score for "Red Pony" |
|
George Gershwin
|
- started as "song plugger" - 15yo; one of few Am comps to make $$$
- "Rhapsody in Blue," "An American in Paris," "Porgy and Bess" |
|
Leonard Bernstein
|
-1st American-born conductor of the NY Philharmonic
- "West Side Story," "Chichester Psalms" |
|
what is "new music"?
|
music since 1950; intellectual, experimental, abstract
|
|
aleatoric music
|
"chance" music; either composed using chance, or left up to the performer to interpret
|
|
John Cage
|
- began as percussion composer
- elimiate rules - everything is music - invented the prepared piano "Imaginary Landscapes," "4'33''," "HPSCHD," "Sonatas for Prepared Piano" |
|
Who used sound mass and tone clusters?
|
Penderecki
"Threnody for the Victims of Hiroshima" |
|
types of electronic music
|
1) musique concrete - recording live sounds and editing the tape
2) synthesized music - Robert Moog 3) computer music - looping, sampling, new sounds! |
|
minimalist composers
|
Terry Riley, Phillip Glass, John Adams, Steve Reich
|
|
Terry Riley
|
"In C"
|
|
Phillip Glass
|
"Opening," score for "Koyaanisqatsi," some music for "Sesame St"
|
|
John Adams
|
"Short Ride in a Fast Machine," "Nixon in China"(opera), "The Chairman Dances"
|
|
Steve Reich
|
"It's Gonna Rain," "Different Trains," "Electric Counterpoint"
|
|
20th century female composers
|
Joan Tower; Ellen Zwilich, Libby Larsen
|
|
six kinds of jazz
|
ragtime
dixieland swing bebop modern/cool jazz free jazz |
|
ragtime
|
stride LH, syncopated RH
Scott Joplin, "Maple Leaf Rag" and his opera, "Treemonisha" |
|
dixieland
|
"New Orleans jazz" - more syncopation, smaller ensembles
Jelly Roll Morton's version of "Maple Leaf Rag" King Oliver Band - "Dippermouth Blues" Louis Armstrong - scat singing, "West End Blues" |
|
swing
|
only 1 person improvs at a time
big band era - 30s (Count Basie - "Taxi War Dance," Duke - "Ko-Ko") Billie Holiday - "He's Funny That Way" |
|
bebop
|
smaller ensembles, fast playing
Charlie Parker: "Ko-Ko" Dizzy Gillespie |
|
modern/"cool" jazz
|
laid back, slower tempos; unusual harmonic structures
MJQ - "Django" (drums, bass, piano, vibes) Brubeck - "Take 5," "Unsquare Dance," "Blue Rondo alla Turk" Coltrane - "Alabama" Miles - "Boplicity" |
|
free jazz
|
anything goes.
Ornette Coleman - "Free Jazz" |
|
"2 other types of jazz"
|
jazz fusion - rock + jazz (Corea, Metheny)
third-string jazz - Gunther Schuller - jazz + classical |
|
L: Ives
|
General William Booth Enters Into Heaven
|
|
L: Revueltas
|
Sensemaya
|
|
L: Copland
|
Appalachian Spring
|
|
L: Barber
|
The Monk and His Cat
|
|
L: Babbitt
|
Philomel
|
|
L: Adams
|
Short Ride in a Fast Machine
|
|
L: Sheng
|
Seven Tunes Heard in China, No. 1, Seasons
|
|
Elliott Carter
|
new music comp who developed "metric modulation," where a transition is made from one tempo/meter to another using an intermediary stage that shares aspects of both
"Cello Sonata," "String Quartet No 2" |
|
L: Cage
|
Music of Changes, Book I
|