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53 Cards in this Set
- Front
- Back
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Lyubov Popova, Subject from a Dyer’s Shop, 1915, oil on canvas |
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Kazimir Malevich, The Black Square installed at 0.10. The Last Futurist Exhibition, 1915 |
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Kazimir Malevich, White on White, c1920, oil on canvas |
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Vladimir Tatlin, Counter-Relief installed at 0.10. The Last Futurist Exhibition, 1915 |
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Vladimir Tatlin, Model for the Monument to the Third International, 1920, wood, iron and glass |
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Aleksandr Rodchenko, Hanging Construction, 1920, wood |
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Aleksandr Rodchenko, Untitled advertising poster, 1925, gouache and photomontage on paper |
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Aleksandr Rodchenko, Assembling for a Demonstration, 1930, gelatin-silver print |
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El Lissitzky, Prounenraum (Proun Room), 1920 (reconstructed 1965), wood |
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Henry Hobson Richardson, Marshall Field Wholesale Store, Chicago, Illinois, United States, 1885 |
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Louis Sullivan, Guaranty Trust Building (now Prudential Building), Buffalo, New York, United States, 1895 |
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Frank Lloyd Wright, Robie House, Chicago, Illinois, United States, 1910 |
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Frank Lloyd Wright, Edgar K. Kaufmann House (Fallingwater), Bear Run, Pennsylvania, United States, 1935 |
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Peter Behrens, AEG Turbine Factory, Berlin, Germany, 1910 |
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Erich Mendelsohn, Einstein Tower, Potsdam, Germany, 1920 |
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Marcel Breuer, Armchair, Model B3, Dessau Germany,1930, chrome-plated tubular steel with canvas slings |
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Herbert Bayer, Bauhaus Dessau, 1925, letterpress |
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Gunta Stölzl, Tapestry, 1925, cotton, wool, and linen |
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Lázló Maholy-Nagy, Light-Space Modulator, 1925, kinetic sculpture, plastic, wood, and other materials with electric motor |
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Walter Gropius and Adolph Meyer, Fagus Shoe Factory, Alfeld-an-der-Leine, Germany, 1925 |
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Ludwig Mies van der Rohe, Model for a glass skyscraper, 1920 |
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Ludwig Mies van der Rohe, German Pavilion, International Exposition, Barcelona, Spain, 1920 (reconstructed 1986) |
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Le Corbusier, Villa Savoye, Poissy, France, 1930 |
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Giorgio de Chirico, Melancholy and Mystery of a Street, 1915, oil on canvas |
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Max Ernst, Two Children Are Threatened by a Nightingale, 1925, oil on wood with wood construction |
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Joan Miró, Carnival of Harlequin, 1925, oil on canvas |
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Joan Miró, Painting, 1930, oil on canvas |
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André Masson, Battle of Fishes, 1925, sand, gesso, oil, pencil, and charcoal on canvas |
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Salvador Dalí, Accommodations of Desire, 1930, oil and paper on canvas |
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Salvador Dalí, Persistence of Memory, 1930, oil on canvas |
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René Magritte, The Treachery of Images, 1930, oil on canvas |
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Meret Oppenheim, Fur-Covered Cup, Saucer, and Spoon, 1935, mixed media |
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Alberto Giacometti, The Palace at 4am, 1930, construction in wood, glass, wire, and string |
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Eugène Atget, Magazin, Avenue des Gobelins, 1925, albumen silver print |
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Claude Cahun (Lucy Renée Mathilde Schwob), Self-Portrait, c1925, gelatin silver print |
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André Kertész, Distortion No. 4, 1930, gelatin silver print |
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Amedeo Modigliani, Nude, 1920, oil on canvas |
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Chaim Soutine, Carcass of Beef, c1925, oil on canvas |
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Henri Matisse, Piano Lesson, late summer, 1915, oil on canvas |
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Pablo Picasso, Olga Picasso in an Arm Chair, 1915, oil on canvas |
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Pablo Picasso, Three Musicians, summer 1920, oil on canvas |
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Pablo Picasso, Guernica, 1935, oil on canvas |
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Grant Wood, American Gothic, 1930, oil on beaverboard |
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Thomas Hart Benton, City Building, 1930, distemper and egg tempera on gessoed linen with oil glaze |
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Diego Rivera, Detroit Industry, 1930, fresco |
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José Orozco, The Epic of American Civilization, 1935, fresco |
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Frida Kahlo, Self-Portrait on the Border Between Mexico and the United States, 1930, oil on sheet metal |
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Edward Hopper, Early Sunday Morning, 1930, oil on canvas |
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Jacob Lawrence, Migration of the Negro, No. 1, 1940, tempera on hardboard |
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Ben Shahn, The Passion of Sacco and Vanzetti, 1930, tempera on canvas |
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Stuart Davis, Report from Rockport, 1940, oil on canvas |
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Burgoyne Diller, Second Theme, 1940, oil on canvas |
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Alexander Calder, Lobster Trap and Fish Tail, 1940, painted steel and sheet aluminum |
